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Visible and Audible Structures: Spatio-Temporal Compromise in Ligeti's Magyar Etüdök
1 references·0 citing·6 second hopsampled
Visible and Audible Structures: Spatio-Temporal Compromise in Ligeti's Magyar Etüdök (1992)Visible and Audible Structures: Spatio-Te…On the Problem of Succession and Continuity in Twentieth-Century Music (1986)On the Problem of Succession …Galileo as a Critic of the Arts (1954)Perspectives of New Music (1963)The Structure of Atonal Music (1974)The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs (1987)Stravinsky's "Mass" and Stravinsky Analysis (1989)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)
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  • 1986On the Problem of Succession and Continuity in Twentieth-Century Music32 cited

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