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Thieves of Bombay: United Artists, Colonial Copyright, and Film Piracy in the 1920s
16 references·0 citing·33 second hop
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this work references cited by second hop

References

  • 1991The transformation of cinema, 1907-1915543 cited
  • 1996The Culture of the Copy368 cited
  • 1987Exporting Entertainment: America in the World Film Market, 1907-34350 cited
  • 2004Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy346 cited
  • 2003The copywrights: intellectual property and the literary imagination235 cited
  • 2012Shadow Economies of Cinema231 cited
  • 2009Pirate Modernity: Delhi's Media Urbanism213 cited
  • 2005Bombay and Mumbai : the city in transition155 cited
  • 2006Bollyworld: Popular Indian Cinema through a Transnational Lens128 cited
  • 2009Wanted Cultured Ladies Only!114 cited
  • 2000Colonial India and the Making of Empire Cinema: Image, Ideology and Identity111 cited
  • 2011Access to Knowledge in the Age of Intellectual Property100 cited
  • 2009Inherent Vice100 cited
  • 2012Shadow Economies of Cinema: Mapping Informal Film Distribution97 cited
  • 2011Mysore Modern: Rethinking the Region under Princely Rule76 cited
  • 2009Inherent Vice: Bootleg Histories of Videotape and Copyright

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