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Vodou Imagery, African American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God
16 references·2 citing·26 second hop
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References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 1984Flash of the Spirit: African and Afro-American Art and Philosophy498 cited
  • 2009Tell my horse : voodoo and life in Haiti and Jamaica424 cited
  • 1983Flash of the Spirit: African and Afro-American Art and Philosophy390 cited
  • 1925The New Negro330 cited
  • 2014Their Eyes Were Watching God321 cited
  • 1978Zora Neale Hurston: A Literary Biography209 cited
  • 1991The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston180 cited
  • 1959Voodoo in Haiti166 cited
  • 1979Zora Neale Hurston: A Literary Biography.164 cited
  • 1979Sturdy Black Bridges: Visions of Black Women in Literature.111 cited
  • 1992Fiction and folklore: the novels of Toni Morrison109 cited
  • 1979I Love Myself When I Am Laughing...and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader99 cited
  • 1995The Hammers of Creation: Folk Culture in Modern African-American Fiction

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82 cited

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  • 2004The Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading"16 cited
  • 2015Practices of Enchantment: The Theatre of Zora Neale Hurston5 cited