List of illustrations List of tables List of music examples Acknowledgments Bibliographical note List of abbreviations Prologue Part I. Text and Performance: 1. Song and written record in the early thirteenth century 2. The sources of song: chansonniers, narratives, dance-song 3. The performance of song in Jean Renart's Rose Part II. The Boundaries of Genre: 4. The refrain 5. Refrains in context: a case study 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing Part III. The Location of Culture: 7. 'Courtly' and 'popular' in the thirteenth century 8. Urban culture: Arras and the puys 9. The cultural contexts of Adam de la Halle Part IV. Modes of Inscription: 10. Songs in writing: the evidence of the manuscripts 11. Chante/fable: Aucassin et Nicolette 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 Part V: Lyric and Narrative: 13. The two Roses: Machaut and the thirteenth century 14. Rewriting song: chanson, motet, salut, and dit 15. Citation and authorship from the thirteenth to the fourteenth century Part VI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut Epilogue Glossary Appendix Bibliography.
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