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Cultural Experience in Context: Sense-Making the Arts
5 references·8 citing·46 second hop
Cultural Experience in Context: Sense-Making the Arts (2011)Cultural Experience in Context: Sense-Mak…Art as Experience (1934) (2026)Art as Experience (1934)Audience experience : measuring quality in the performing arts (2009)Audience experience : measuri…Assessing the intrinsic impacts of a live performance (2008)Assessing the intrinsic impac…Cultural Policy: Definitions and Theoretical Approaches (2006)Cultural Policy: Definitions …Sense-Making Methodology Reader: Selected Writings of Brenda Dervin (2003)Sense-Making Methodology Read…Unfurling the cultural value of street art experiences (2020)Unfurling the cultural value …Exploring theater experiences among Hong Kong audiences (2019)Exploring theater experiences…Hidden Depths and Everyday Secrets: How Audience Sense- Making Can Inform Arts Policy and Practice (2017)Hidden Depths and Everyday Se…Evidencing Impact from Art Research: Analysis of Impact Case Studies from the REF 2014 (2017)Evidencing Impact from Art Re…Everyday Encounters with Art: Comparing Expert and Novice Experiences (2016)Everyday Encounters with Art:…Developing and Validating a Theater Experience Scale (2016)Developing and Validating a T…An Empirical Investigation of the Arts Audience Experience Index (2016)An Empirical Investigation of…Standing in Two Worlds Looking at an Art Exhibition: Sense-Making in the Millennial Generation (2014)Standing in Two Worlds Lookin…The Theatrical Event: Dynamics of Performance and Perception (2000)Authenticating acts and authoritative performances: questing for self and community (2003)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Love, hate, arousal and engagement (2011)The evolution and development of arts marketing research (2011)“A big part of my life”: a qualitative study of the impact of theatre (2013)Chronicle of Higher Education (1998)Millennials Rising: The Next Great Generation (2000)Generation Me: Why Today's Young Americans Are More Confident, Assertive, Entitled--and More Miserable Than Ever Before (2006)Impact of an Institutional Repository on Viewers’ Experiences of a Student Art Exhibition (2022)Understanding Public Policy (1972)The Foucault Effect: Studies in Governmentality (1991)The Rise of the Creative Class (2002)Geopolitics and Soft Power: Japan's Cultural Policy and Cultural Diplomacy in Asia (2012)Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony–distinction approaches (2012)The cultural industry policies of the Korean government and the Korean Wave (2013)Testing Structural Equation Models. (1994)Cutoff criteria for fit indexes in covariance structure analysis: Conventional criteria versus new alternatives (1999)Principles and Practice of Structural Equation Modeling (2012)FLAMENCO PERFORMER’S PERCEIVED VALUE: DEVELOPMENT OF A MEASUREMENT INDEX (2019)Field study of audience experience in contemporary circus: An exploratory study on the impact of audience's expertise (2021)Does copyright understand intangible heritage? The case of flamenco in Spain (2023)An Index of Factorial Simplicity (1974)Consumption Habits of Recorded Music: Determinants of Flamenco Albums Acquisition (2023)Flow: the psychology of optimal experience (1990)A New Framework for Building Participation in the Arts (2001)Gifts of the Muse: Reframing the Debate About the Benefits of the Arts (2004)Measuring the intrinsic benefits of arts attendance (2010)Ageing and the orchestra: Self-efficacy and engagement in community music-making (2019)Distinction: A Social Critique of the Judgement of Taste. (1985)Music in Everyday Life (2000)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Reflections on Elitism: What Arts Organizations Communicate About Themselves (2017)Arts audience segmentation: data, profiles, segments and biographies (2019)Beyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making (2010)The Metric Tide: Report of the Independent Review of the Role of Metrics in Research Assessment and Management (2015)Selling ‘impact’: peer reviewer projections of what is needed and what counts in REF impact case studies. A retrospective analysis (2016)Deconstructing impact: A framework for impact evaluation in grant applications (2021)Which types of online evidence show the nonacademic benefits of research? Websites cited in UK impact case studies (2021)Exploring the application of machine learning to expert evaluation of research impact (2023)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)Technology affordances for intersubjective meaning making: A research agenda for CSCL (2006)What is enough? Satisficing information needs (2007)Use of microblogging for collective sense‐making during violent crises: A study of three campus shootings (2011)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,188 cited
  • 2003Sense-Making Methodology Reader: Selected Writings of Brenda Dervin404 cited
  • 2006Cultural Policy: Definitions and Theoretical Approaches215 cited
  • 2009Audience experience : measuring quality in the performing arts148 cited
  • 2008Assessing the intrinsic impacts of a live performance86 cited

Cited by

  • 2016Developing and Validating a Theater Experience Scale20 cited
  • 2017Evidencing Impact from Art Research: Analysis of Impact Case Studies from the REF 201418 cited
  • 2016An Empirical Investigation of the Arts Audience Experience Index17 cited
  • 2014Standing in Two Worlds Looking at an Art Exhibition: Sense-Making in the Millennial Generation15 cited
  • 2017Hidden Depths and Everyday Secrets: How Audience Sense- Making Can Inform Arts Policy and Practice14 cited
  • 2016Everyday Encounters with Art: Comparing Expert and Novice Experiences8 cited
  • 2019Exploring theater experiences among Hong Kong audiences8 cited
  • 2020Unfurling the cultural value of street art experiences4 cited

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