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Cited by

• 2008In-situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts47 cited
• 2013Non-invasive investigation on a VI century purple codex from Brescia, Italy46 cited
• 2019Towards the identification of the lichen species in historical orchil dyes by HPLC-MS/MS34 cited
• 2006The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis26 cited
• 2017A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century26 cited
• 2018New advanced extraction and analytical methods applied to discrimination of different lichen species used for orcein dyed yarns: Preliminary results22 cited
• 1988Dyes and Wools in Iron Age Textiles from Norway and Denmark22 cited
• 1980NEW LIGHT ON ROBERT BOYLE AND THE DISCOVERY OF COLOUR INDICATORS18 cited
• 2021Identification of aloe and other dyes by means of SERS and HPLC-DAD-MS in the embroidery of a 15th century English folded almanac17 cited
• 2016On the identification of folium and orchil on illuminated manuscripts15 cited
• 2018Multi-instrumental approach with archival research to study the Norwich textile industry in the late eighteenth and early nineteenth centuries: the example of a Norwich pattern book dated c. 1790–179314 cited
• 2010The Mid-Atlantic Islands: A Theatre of Early Modern Ecocide?