The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei

Richard A. Gordon

7 citations0/0 files storedJournal of Latin American Cultural Studies

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Shakespeare, Adaptation, and Literary Criticism History, Culture, and Diplomacy

Abstract

Scholarly interest in connections between Brazilian and Spanish American culture has grown in recent years but the substantial backlog of potential comparative studies of Latin American culture lea...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 7 citations exist upstream.

References

1995On Unthinking Eurocentrism: Multiculturalism and the Media 1996Unthinking Eurocentrism: Multiculturalism and the Media 2002A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba 1972Neither Black nor White: Slavery and Race Relations in Brazil and the United States 2003A Nation for All: Race, Inequality, and Politics in Twentieth Century Cuba 1986Slave Emancipation in Cuba; The Transition to Free Labor, 1860-1899 1941Contrapunteo Cubano del Tabaco y el Azúcar 2000Afro-Cuban voices: on race and identity in contemporary Cuba

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.