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Riverdance : Representing Irish Traditional Music
12 references·0 citing·39 second hop
Riverdance : Representing Irish Traditional Music (2009)Riverdance : Representing Irish Tradition…Focus: Irish Traditional Music (2020)Focus: Irish Traditional MusicPostmodern Music/Postmodern Thought (2013)Postmodern Music/Postmodern T…Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo (2008)Permeable Boundaries: Hybridi…The Music of the Other: New Challenges for Ethnomusicology in a Global Age (2007)The Music of the Other: New C…A Broader View of Musical Exoticism (2007)A Broader View of Musical Exo…Re-appraising ideas of musicality in intercultural contexts of music education (2005)Re-appraising ideas of musica…Inside the Celtic tiger : the Irish economy and the Asian model (1998)Inside the Celtic tiger : the…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …Transforming Tradition: Folk Music Revivals Examined (1995)Transforming Tradition: Folk …Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Disciplining Music: Musicology and Its Canons (1993)Disciplining Music: Musicolog…Aspects of Bulgarian Musical Thought (1980)Aspects of Bulgarian Musical …Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Transidiomatic practices: Language and power in the age of globalization (2005)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Music Matters: A New Philosophy of Music Education (1996)Saying something: jazz improvisation and interaction (1997)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Vernacular music-making and education (2006)Positive musical experiences in education: music as a social praxis (2013)Literature Review of Social Justice in Music Education: Acknowledging Oppression and Privilege (2017)The Dialogic Imagination: Four Essays (1982)Western music and its others : difference, representation, and appropriation in music (2000)Beyond Exoticism (2007)The practice and politics of hybrid soundscapes inMuziki wa Injiliin Dar es Salaam, Tanzania (2010)Copyrighting Culture for the Nation? Intangible Property Nationalism and the Regional Arts of Indonesia (2012)Écouter le monde mais n’entendre que soi (2013)Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition (1996)Beyond the commons : the expansion of the Irish Music Rights Organisation, the elimination of uncertainty, and the politics of enclosure (2002)To Paris and Back: Violeta Parra's Transnational Performance of Authenticity (2013)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)The End(s) of Genre (2013)Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century (2014)Hipster Harmony (2015)The Operas of Maurice Ravel (2015)The Myth of the Nation-State: (2003)Post-politics, crisis, and Ireland's ‘ghost estates’ (2014)Precarity in the ivory cage: Neoliberalism and casualisation of work in the Irish higher education sector (2015)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)‘New face of Serbia’ at the Eurovision Song Contest: international media spectacle and national identity1 (2010)Songs in Their Heads: Music and Its Meaning in Children’s Lives (2nd ed.). (2011)The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square (2016)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)The Music of Louis Andriessen (2007)Advertising and the conquest of culture (2009)
this work references cited by second hop

References

  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 1998Inside the Celtic tiger : the Irish economy and the Asian model183 cited
  • 2013Postmodern Music/Postmodern Thought151 cited
  • 1993Disciplining Music: Musicology and Its Canons125 cited
  • 1995Transforming Tradition: Folk Music Revivals Examined72 cited
  • 2007A Broader View of Musical Exoticism61 cited
  • 2005Re-appraising ideas of musicality in intercultural contexts of music education59 cited
  • 2007The Music of the Other: New Challenges for Ethnomusicology in a Global Age53 cited
  • 2008Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo21 cited
  • 2020Focus: Irish Traditional Music17 cited
  • 1980Aspects of Bulgarian Musical Thought17 cited

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