SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto
5 references·16 citing·41 second hop
Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)Analysis of Roman age wall paintings foun…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Analysis of pigments from Roman wall paintings found in Vicenza (2003)Analysis of pigments from Rom…Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinac…Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation (1996)Fourier transform infrared sp…Spectrochemical and structural studies on a roman sample of Egyptian blue (1995)Spectrochemical and structura…Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Pigments — Mercury-based red …Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy (2021)Green and blue pigments in Ro…Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application (2021)Analytical Techniques for the…Investigation of ancient wall paintings in Mogao Grottoes at Dunhuang using laser-induced breakdown spectroscopy (2019)Investigation of ancient wall…What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis (2016)What do we know of Roman wall…An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain (2016)An innovative combination of …Identification of Pigments in Hellenistic and Roman Funeral Figurines (2015)Identification of Pigments in…Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques (2011)Analytical study of Roman and…X-ray diffraction studies of Pompeian wall paintings using synchrotron radiation and dedicated laboratory made systems (2010)X-ray diffraction studies of …Sulfur isotope analysis of cinnabar from Roman wall paintings by elemental analysis/isotope ratio mass spectrometry – tracking the origin of archaeological red pigments and their authenticity (2010)Sulfur isotope analysis of ci…Simple methods for characterization of metals in historical textile threads (2010)Simple methods for characteri…Investigation of the colourants used in icons of the Cretan School of iconography (2009)Investigation of the colouran…DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY (2009)DETERMINATION OF PIGMENTS AND…Aragonite in Roman Wall Paintings of the VIII a Regio, Aemilia , and X a Regio, Venetia Et Histria (2006)Aragonite in Roman Wall Paint…ANALYTICAL CHARACTERIZATION OF ROMAN PLASTERS OF THE ‘DOMUS FARINI’ IN MODENA* (2006)ANALYTICAL CHARACTERIZATION O…A micro-Raman archaeometric approach to Roman wall paintings (2006)A micro-Raman archaeometric a…Painting Materials : a Short Encyclopedia (1943)Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)Pigment and terracotta analyses of Hellenistic figurines in Crete (2003)A short note on Egyptian blue (2004)Painting Materials: A Short Encyclopedia (2011)Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties (2016)Conservation of wall paintings (1984)The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The Use of FTIR and Micro-FTIR Spectroscopy: An Example of Application to Cultural Heritage (2009)Chemical characterisation of spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach (2015)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Investigation of crimson-dyed fibres for a new approach on the characterization of cochineal and kermes dyes in historical textiles (2015)The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia (2017)An investigation of the dye palette in Chinese silk embroidery from Dunhuang (Tang dynasty) (2018)Clay and iron oxide pigments in the history of painting (2003)‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments (2008)Green pigments of Roman mural paintings from Seville Alcazar (2015)Revisiting the identification of commercial and historical green earth pigments (2019)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of wax works of art by gas chromatographic procedures (2005)Organic Chemistry of Museum Objects (2012)Ancient Egyptian materials and technology (2000)Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems (2009)Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum (2014)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)The Code of Kings: The Language of Seven Sacred Maya Temples and Tombs (1998)The Chinese neolithic: trajectories to early states (2006)Characterizing the pigments and paints of prehistoric artists (2021)Pigments—the palette of organic colourants in wall paintings (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations (2011)Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy) (2018)Raman microscopy in archaeological science (2004)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Spectroscopic methods for the analysis of celadonite and glauconite in Roman green wall paintings (2011)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach (2011)
this work references cited by second hop

References

  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
  • 1996Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation104 cited
  • 1995Spectrochemical and structural studies on a roman sample of Egyptian blue90 cited

Cited by

  • 2009DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY90 cited
  • 2021Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products86 cited
  • 2009Investigation of the colourants used in icons of the Cretan School of iconography69 cited
  • 2006A micro-Raman archaeometric approach to Roman wall paintings62 cited
  • 2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
  • 2016An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain55 cited
  • 2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

55 cited
  • 2010Simple methods for characterization of metals in historical textile threads49 cited
  • 2015Identification of Pigments in Hellenistic and Roman Funeral Figurines47 cited
  • 2006ANALYTICAL CHARACTERIZATION OF ROMAN PLASTERS OF THE ‘DOMUS FARINI’ IN MODENA*45 cited
  • 2019Investigation of ancient wall paintings in Mogao Grottoes at Dunhuang using laser-induced breakdown spectroscopy42 cited
  • 2010X-ray diffraction studies of Pompeian wall paintings using synchrotron radiation and dedicated laboratory made systems42 cited
  • 2010Sulfur isotope analysis of cinnabar from Roman wall paintings by elemental analysis/isotope ratio mass spectrometry – tracking the origin of archaeological red pigments and their authenticity41 cited
  • 2006Aragonite in Roman Wall Paintings of the VIII a Regio, Aemilia , and X a Regio, Venetia Et Histria38 cited
  • 2021Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application38 cited
  • 2021Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy37 cited