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Authenticity: who needs it?
0 references·14 citing·46 second hop
Authenticity: who needs it? (2000)Authenticity: who needs it?The Experience of Authenticity Across Three Music Disciplines; Music Therapy, Music Teaching and Music Performance (2023)The Experience of Authenticit…Music diversity in music education: A multiple case study of music teacher training programs in Thailand (2023)Music diversity in music educ…The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia (2022)The authenticity of music cul…“A shared energy”: West African drumming fosters cross-cultural understandings in Australia (2021)“A shared energy”: West Afric…‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)‘Jianghu flow’: examining cul…Rappers as Knights-Errant: Classic Allusions in the Mainstreaming of Chinese Rap (2019)Rappers as Knights-Errant: Cl…Analysing the media discourses surrounding DJs as authentic performers and artists within electronic dance music culture magazines (2017)Analysing the media discourse…Gigging on the World Stage: Bossa Nova and Afrobeat after De-reification (2016)Gigging on the World Stage: B…Being Hip-Hop (2016)Being Hip-HopThe quest for authenticity in the music classroom. Sinking or swimming (2015)The quest for authenticity in…Undoing Authenticity as a Discursive Construct: A Critical Pedagogy of Ethnomusicology and “World Music” (2013)Undoing Authenticity as a Dis…Initiate, Create, Activate: Practical Solutions for Making Culturally Diverse Music Education a Reality. 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(1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Methodological challenges of researching an emerging scene: Experimental electronic music in contemporary Manchester (2023)Club Cultures: Music, Media and Subcultural Capital (1997)The Corporeal Politics of Quality (Suzhi) (2004)How Censorship in China Allows Government Criticism but Silences Collective Expression (2013)Localization and mainstream emergence of hip-hop music in China: a critical transculturalism perspective (2022)Rhyming style, persona, and the contested landscape of authentic Chinese hip hop (2023)The code of the streets in Beijing: Style-shifting and changing personae in the performance of Beijing male rappers (2023)"Fear of a Black Planet": Rap Music and Black Cultural Politics in the 1990s (1991)Popular Culture as Oppositional Culture: Rap as Resistance (1997)The celebrity culture reader (2006)Brotherhood and Hip-Hop: The Case of Chinese Hip-Hop Club Triple H (2021)Keeping It Real in Chinese Hip-Hop: Everyday Authenticity and Coming From the Street (2023)Qualitative research and case study applications in education (1998)Using thematic analysis in psychology (2006)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2018)Globalization: social theory and global culture (1993)The Politics of Recognition (1994)Authenticity as authentication (2002)Exploring the inheritance and historical evolution of cultural values from the perspective of folk songs and chorus (2023)Local Wisdom, Environmental Management and Sustainable Traditions in Naga Village, Tasikmalaya Regency (2023)Survival strategies of two changing societies’ customary consultative assemblies: The orahua of Nias and the kerapatan adaik of West Sumatra (2023)
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Cited by

  • 2019Rappers as Knights-Errant: Classic Allusions in the Mainstreaming of Chinese Rap25 cited
  • 2007Social Issues in Music Education22 cited
  • 2013Initiate, Create, Activate: Practical Solutions for Making Culturally Diverse Music Education a Reality.15 cited
  • 2020‘Jianghu flow’: examining cultural resonance in The Rap of China12 cited
  • 2016Being Hip-Hop12 cited
  • 2022The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia11 cited
  • 2016Gigging on the World Stage: Bossa Nova and Afrobeat after De-reification10 cited
  • 2017Analysing the media discourses surrounding DJs as authentic performers and artists within electronic dance music culture magazines9 cited
  • 2015The quest for authenticity in the music classroom. Sinking or swimming5 cited
  • 2021“A shared energy”: West African drumming fosters cross-cultural understandings in Australia5 cited
  • 2023The Experience of Authenticity Across Three Music Disciplines; Music Therapy, Music Teaching and Music Performance5 cited
  • 2013Undoing Authenticity as a Discursive Construct: A Critical Pedagogy of Ethnomusicology and “World Music”4 cited
  • 2023Music diversity in music education: A multiple case study of music teacher training programs in Thailand4 cited

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  • 2011Philosophy, Policy, Practice Visions and Realities of Cultural Diversity in Selected Primary Music Classrooms in Brisbane and Singapore3 cited