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Hearts and Minds and Bodies: Reconsidering the Cinematic Language of The Battle of the Somme
11 references·0 citing·26 second hop
Hearts and Minds and Bodies: Reconsidering the Cinematic Language of The Battle of the Somme (2008)Hearts and Minds and Bodies: Reconsiderin…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The Norton Anthology of Theory and Criticism (2003)The Norton Anthology of Theor…The power of film propaganda: myth or reality? (2000)The power of film propaganda:…The Oxford history of world cinema (1997)The Oxford history of world c…Cinema, spectatorship and propaganda: ‘Battle of the Somme’ (1916) and its contemporary audience (1997)Cinema, spectatorship and pro…Hilton DeWitt Girdwood and the origins of British official filming (1993)Hilton DeWitt Girdwood and th…Early Cinema: Space-Frame-Narrative (1992)Early Cinema: Space-Frame-Nar…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…British Propaganda during the First World War, 1914–18 (1982)British Propaganda during the…Keep the home fires burning: Propaganda in the First World War (1977)Keep the home fires burning: …Wellington House and British Propaganda during the First World War (1975)Wellington House and British …Film Form: Essays in Film Theory (1949)The Japanese Film: Art and Industry, (1960)Hybridity and the rise of Korean popular culture in Asia (2005)English as a Global Language, Second Edition (2012)3. English as a Global Language (2016)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Narrative Theory and the Intentional Stance (2008)From Standpoint Epistemology to Epistemic Oppression (2019)Recent Work in Standpoint Epistemology (2021)Alternative Shakespeares (1987)A Feminist Reader in Early Cinema (2002)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Museum as Memorial: The Origins of the Imperial War Museum (1988)‘No such bookselling has ever before taken place in this country’: Propaganda and the Wartime Distribution Practices of W.H. Smith & Son (2007)The Short Story and the First World War (2013)Selling stereoscopy, 1890–1915: Penny arcades, automatic machines and American salesmen (2008)India, Empire and First World War:Writings, Images, Songs (2018)Out of the Theaters and Into the Streets: A Coalition Model of the Political Impact of Documentary Film and Video (2004)Film Propaganda: Triumph of the Will as a Case Study (2014)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)White Feathers and Wounded Men: Female Patriotism and the Memory of the Great War (1997)Ireland, the Great War and the geography of remembrance (2004)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2003The Norton Anthology of Theory and Criticism662 cited
  • 1997The Oxford history of world cinema240 cited
  • 1992Early Cinema: Space-Frame-Narrative214 cited
  • 1982British Propaganda during the First World War, 1914–18164 cited
  • 1977Keep the home fires burning: Propaganda in the First World War75 cited
  • 1975Wellington House and British Propaganda during the First World War70 cited
  • 2000The power of film propaganda: myth or reality?65 cited
  • 1993Hilton DeWitt Girdwood and the origins of British official filming22 cited
  • 1997Cinema, spectatorship and propaganda: ‘Battle of the Somme’ (1916) and its contemporary audience19 cited

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