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Chinese Queer Images on Screen: A Case Study of Cui Zi’en’s Films
16 references·1 citing·31 second hop
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2007Visuality and IdentitySinophone Articulations across the Pacific372 cited
  • 2002Cinema Studies: The Key Concepts231 cited
  • 1992Bringing out Roland Barthes228 cited
  • 2006Queer images: a history of gay and lesbian film in America223 cited
  • 2006Remapping world cinema : identity, culture and politics in film173 cited
  • 2008AsiaPacifiQueer: Rethinking Genders and Sexualities167 cited
  • 2004Queer cinema, the film reader125 cited
  • 2010China on Video114 cited
  • 2007Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas98 cited
  • 2010The Traffic in Money Boys94 cited
  • 1988The pirate's fiancée: Feminism, reading, postmodernism73 cited
  • 20041. New queer cinema: an introduction57 cited
  • 2010China on Video: Smaller-Screen Realities55 cited
  • 2012Mobile intimacies in the queer Sinophone films of Cui Zi'en54 cited
  • 2010New Chinese Documentary Film Movement, The: For the Public Record45 cited

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Cited by

  • 2021Straightly Chinese: The Emergence of Systemic Homophobia in China24 cited