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Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts
16 references·9 citing·40 second hop
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2007Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them?445 cited
  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2008The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry103 cited
  • 1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
  • 2000Panselinos’ Byzantine wall paintings in the Protaton Church, Mount Athos, Greece: a technical examination83 cited
  • 2008Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers78 cited
  • 2004Micro-structural characterization of black crust and laser cleaning of building stones by micro-Raman and SEM techniques69 cited
  • 2001Analysis of the laser-induced reduction mechanisms of medieval pigments

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68 cited
  • 2008The conservational heritage of wall paintings and buildings : an FT‐Raman spectroscopic study of prehistoric, Roman, mediaeval and Renaissance lime substrates and mortars64 cited
  • 2008The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis57 cited
  • 2008From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece53 cited
  • 2005X-rays for Archaeology51 cited
  • Cited by

    • 2015A combined analytical approach applied to Medieval wall paintings from Puglia (Italy): The study of painting techniques and its conservation state21 cited
    • 2022Investigation on the Painting Materials and Profile Structures Used in Ancient Chinese Folk Architectural Paintings by Multiple Analytical Methods17 cited
    • 2012Gold Gilding and Pigment Identification on a Post-Byzantine Icon from Kastoria, Northern Greece17 cited
    • 2015Differentiation between anonymous paintings of the 17th and the early 18th century by composition of clay-based grounds17 cited
    • 2020Investigations of byzantine wall paintings in the abbey of Santa Maria di Cerrate (Italy) in view of their restoration16 cited
    • 2016Pigment characterization of drawings and painted layers under 5th–7th centuries wall mosaics from Ravenna (Italy)14 cited
    • 2023Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria12 cited
    • 2019A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)12 cited
    • 2014A Comparative Study of Pigments from the Wall Paintings of Two Greek Byzantine Churches11 cited