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The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife
10 references·0 citing·28 second hop
The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife (2006)The Tease of Truth: Seduction, Verisimili…The haunted stage: the theatre as memory machine (2002)The haunted stage: the theatr…The Haunted Stage (2001)The Haunted StagePerforming History: Theatrical Representations of the Past in Conetmporary Theatre (2000)Performing History: Theatrica…Memory-theater and postmodern drama (2000)Memory-theater and postmodern…Staging the Holocaust: the Shoah in drama and performance (1999)Staging the Holocaust: the Sh…Stages of annihilation: theatrical representations of the Holocaust (1997)Stages of annihilation: theat…Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Vested Interests: Cross-Dress…Cast of one: one-person shows from the Chautauqua platform to the Broadway stage (1990)Cast of one: one-person shows…Drama, Stage and Audience (1977)Drama, Stage and AudienceMimesis: The Representation of Reality in Western Literature (1955)Mimesis: The Representation o…The Cambridge Introduction to Theatre Studies (2008)The Drama of Memory in Shakespeare's History Plays (2015)Un/doing Differences (2017)Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa (2008)Spectatorship that Hurts: Socìetas Raffaello Sanzio as Meta-affective Theatre of Memory (2012)Writing and the Modern Stage: Theater beyond Drama (2017)Making the Aristophanic Audience (1999)The Tragic Mask of Comedy: Metatheatricality in Menander (2000)Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama (2001)Must Identity Movements Self-Destruct? A Queer Dilemma (1995)Identity Construction: New Issues, New Directions (1997)Gender, Habitus and the Field (1999)I Did It My Way: Rock and the Logic of Covers (2010)Performances at Court in the Age of Shakespeare (2019)Still Shakespeare and the Photography of Performance (2019)Holocaust drama: the theater of atrocity (2009)Universals of Narrative and Their Cognitivist Fortunes (I) (2003)Wind and Time in Homeric Epic (2010)The Theory of the Sublime from Longinus to Kant (2015)Cultural Ghettoization and Theater during the Holocaust: Performance as a Link to Community (2005)Theatre and the Drama of Law: A ‘Theatrical History’ of the Eichmann Trial (2010)The Cambridge History of Jewish American Literature (2015):Shakespeare and the Force of Modern Performance (2004)Slavery and the Theatre of History: Ritual Performance on the Auction Block (2011)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)Charting alternative performance and evaluative practices (1995)The Platform Versus the Stage: Circuit Chautauqua's Antitheatrical Theatre (1998)Between the Personal and the Universal: Asian American Solo Performance from the 1970s to the 1990s (2003)
this work references cited by second hop

References

  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 2002The haunted stage: the theatre as memory machine690 cited
  • 1955Mimesis: The Representation of Reality in Western Literature373 cited
  • 2001The Haunted Stage336 cited
  • 1999Staging the Holocaust: the Shoah in drama and performance90 cited
  • 2000Performing History: Theatrical Representations of the Past in Conetmporary Theatre78 cited
  • 1977Drama, Stage and Audience52 cited
  • 2000Memory-theater and postmodern drama39 cited
  • 1990Cast of one: one-person shows from the Chautauqua platform to the Broadway stage20 cited
  • 1997Stages of annihilation: theatrical representations of the Holocaust20 cited

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