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In moments of crisis, performance becomes a tool for claiming or reclaiming citizenship. Citizens creatively construct their identities in relation to official expectations and the existing potential for innovation. This essay examines a citizenship crisis in New Orleans during Hurricane Katrina and the use of performance to reclaim a New Orleans locality. Looking at the Louisiana Superdome as a citizenship site during and after the storm, this essay explores the personal embodiments of New Orleanians as defiant claims to citizenship.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.