Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe.

Brian P. Conniff · Peter Quartermain

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Poetry Analysis and Criticism Modernist Literature and Criticism Contemporary Literature and Criticism

Abstract

Preface Introduction 1. 'A Narrative of Undermine': Gertrude Stein's Multiplicity 2. Recurrencies: No. 12 of Louis Zukofsky's Anew 3. 'Instant Entirety': Zukofsky's 'A' 4. 'Not at All Surprised by Science': Louis Zukofsky's First Half of 'A' - 9 5. 'Actual Word Stuff, Not Thoughts for Thoughts': Williams and Zukofsky 6. 'Only Is Oreder Othered. Nought Is Nulled': Finnegans Wake and Middle and Late Zukofsky 7. 'To Make Glad the Heart of Man': Bunting, Pound and Whitman 8. Six Plaints and a Lament for Basil Bunting 9. Exploring the Mere: A Note on Charles Reznikoff's Shorter Poems 10. Robert Creeley What Counts 11. 'Go Contrary, Go Sing': Robert Duncan 1919-1988 12. Writing as Assemblage: Guy Davenport 13. And The Without: An Interpretive Essay on Susan Howe Notes Index.

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2000In AnOther's Pocket: The Address of the "Pocket Epic" in Postmodern Black British Poetry 2005Modernism and the culture of market society 2017Difficult poetry processing: Reading times and the narrativity hypothesis 1997Gertrude Stein for Anyone 2011In the American Grid: Modern Poetry and the Suburbs 2008Poetic obligation: ethics in experimental American poetry after 1945 1999Lifting Bellies, Filling Petunias, and Making Meanings through the Trans-Poetic 2017The New Spaces of Modernist Painting

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