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China’s ‘Fake’ Apple Store: Branded Space, Intellectual Property and the Global Culture Industry
14 references·5 citing·34 second hop
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References

  • 2020Dialectic of Enlightenment5,765 cited
  • 2009Blogs, Wikipedia, Second Life, and beyond: from production to produsage2,070 cited
  • 2005Made in China: Women Factory Workers in a Global Workplace923 cited
  • 2004Brands587 cited
  • 2011Steve Jobs475 cited
  • 2008Global culture industry: the mediation of things427 cited
  • 1982Dream Worlds408 cited
  • 1983Dream Worlds: Mass Consumption in Late Nineteenth-Century France359 cited
  • 2003Branded Spaces125 cited
  • 2005What is a technological author? The pirate function and intellectual property116 cited
  • 2013Making and Unmaking Intellectual Property: Creative Production in Legal and Cultural Perspective113 cited
  • 2012Inside Apple: how America's most admired--and secretive--company really works102 cited
  • 2010THE PROPER COPY70 cited
  • 2008`China Who Makes and Fakes'70 cited

Cited by

  • 2015Vernacular mourning and corporate memorialization in framing the death of Steve Jobs38 cited
  • 2016Counterfeit Commerce: Relations of Production, Distribution and Exchange

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19 cited
  • 2018Paradox and market renewal18 cited
  • 2019Boredom, Shanzhai, and Digitisation in the Time of Creative China12 cited
  • 2019Boredom, Shanzhai, and Digitisation in the Time of Creative China6 cited