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On Immersive Theatre
4 references·16 citing·40 second hop
On Immersive Theatre (2012)On Immersive TheatreRelational aesthetics (2011)Relational aestheticsAn Actor Prepares (1989)An Actor PreparesRosencrantz and Guildenstern Are Dead (1968)Rosencrantz and Guildenstern …An Actor Prepares (1936)An Actor PreparesThe dramaturgy of interactive marketing: a conceptual framework for immersive consumer engagement (2025)The dramaturgy of interactive…The route to immersion: a conceptual framework for cross-disciplinary immersive theatre and experiences (2023)The route to immersion: a con…Shakespeare, Technicity, Theatre (2020)Shakespeare, Technicity, Thea…Experimental Beckett (2020)Experimental BeckettDesigning ‘Critical’ Heritage Experiences: Immersion, Enchantment and Autonomy (2020)Designing ‘Critical’ Heritage…Immersive experiences in museums, galleries and heritage sites: a review of research findings and issues (2019)Immersive experiences in muse…Toward a grounded dramaturgy, part 2: Equality and artistic integrity in Theatre for Early Years (2018)Toward a grounded dramaturgy,…Frictional Realities (2018)Frictional RealitiesControl and Being Controlled (2017)Control and Being ControlledMaking Mistakes in Immersive Theatre: Spectatorship and Errant Immersion (2016)Making Mistakes in Immersive …Liminoid Invitations and Liminoid Acts: The role of ludic strategies and tropes in immersive and micro-performance dramaturgies (2016)Liminoid Invitations and Limi…It’s All about You: Immersive Theatre and Social Networking (2016)It’s All about You: Immersive…Decolonizing Immersion (2016)Decolonizing Immersion"More like a poem than a play" : towards a dramaturgy of performing arts for Early Years (2016)"More like a poem than a play…Narcissistic Spectatorship in Immersive and One-on-One Performance (2014)Narcissistic Spectatorship in…Current Trends in Contemporary Choreography: A Political Critique (2013)Current Trends in Contemporar…Play between worlds: exploring online game culture (2007)Artificial hells: participatory art and the politics of spectatorship (2013)Interactive, Immersive, Original Shakespeare (2017)Viral Theatre: Preliminary Thoughts on the Impact of the COVID-19 Pandemic on Online Theatre (2021)From The Emancipated Spectator (2025)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)The experience economy: work is theatre & every business a stage (1999)Dissensus: On Politics and Aesthetics (2010)Democracy's Body, Neoliberalism's Body: The Ambivalent Search for Egalitarianism Within the Contemporary Post/Modern Dance Tradition (2019)The radical in performance: between Brecht and Baudrillard (2000)Stage Fright, Animals, and Other Theatrical Problems (2006)In-game: from immersion to incorporation (2012)ІМЕРСИВНІСТЬ ЯК МИСТЕЦЬКА СТРАТЕГІЯ ПОЧАТКУ ХХІ СТОЛІТТЯ (АНАЛІЗ ТЕАТРАЛЬНОГО ДОСВІДУ ТА ЙОГО ФІЛОСОФСЬКИХ ПІДВАЛИН) (2021)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Notes for Decolonizing Embodiment (2019)Process, Roles, Tools, and Team: Understanding the Emerging Medium of Virtual Reality Theatre (2024)Technology in Action (2000)Technology as experience (2004)Analyzing Qualitative Data (2007)Expanding the Design Space for Technology-Mediated Theatre Experiences (2021)The Normal Natural Troubles of Virtual Reality in Mixed-Reality Performances (2022)Welcome to the experience economy. (1998)The Participatory Museum (2010)Augmented reality, virtual reality and 3D printing for the co-creation of value for the visitor experience at cultural heritage places (2017)Immersive Applications in Museums: An Analysis of the Use of XR Technologies and the Provided Functionality Based on Systematic Literature Review (2022)Exploring relations among authentic tourism experience, experience quality, and tourist behaviours in phygital heritage with experimental design (2023)Exploring the role of immersive technology in digitally representing contemporary crafts within hybrid museum exhibitions: a scoping review (2024)The Emerging Field of Emotion Regulation: An Integrative Review (1998)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Both of Us Disgusted in My Insula (2003)Media and Participation: A site of ideological-democratic struggle (2011)Creativity and tourism in the city (2013)Games (2020)Is governing board behavior cyclical? (1992)Postmodernism and the Education of the Whole Person (1995)Blowing in the wind? Identity, materiality, and the destinations of human ashes (2006)Which Catharsis Do They Mean? Aristotle, Moreno, Boal and Organization Theatre (2004)Human-robot interactions as theatre (2011)The Turkish Audio-Visual Bipolar Disorder Corpus (2018)
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References

  • 2011Relational aesthetics1,517 cited
  • 1936An Actor Prepares516 cited
  • 1968Rosencrantz and Guildenstern Are Dead220 cited
  • 1989An Actor Prepares114 cited

Cited by

  • 2014Narcissistic Spectatorship in Immersive and One-on-One Performance56 cited
  • 2016Decolonizing Immersion35 cited
  • 2016Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion29 cited
  • 2018Frictional Realities25 cited
  • 2013Current Trends in Contemporary Choreography: A Political Critique23 cited
  • 2019Immersive experiences in museums, galleries and heritage sites: a review of research findings and issues21 cited
  • 2020Experimental Beckett19 cited
  • 2016It’s All about You: Immersive Theatre and Social Networking15 cited
  • 2023The route to immersion: a conceptual framework for cross-disciplinary immersive theatre and experiences14 cited
  • 2017Control and Being Controlled13 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2018Toward a grounded dramaturgy, part 2: Equality and artistic integrity in Theatre for Early Years

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9 cited
  • 2016"More like a poem than a play" : towards a dramaturgy of performing arts for Early Years9 cited
  • 2020Designing ‘Critical’ Heritage Experiences: Immersion, Enchantment and Autonomy9 cited
  • 2025The dramaturgy of interactive marketing: a conceptual framework for immersive consumer engagement8 cited
  • 2016Liminoid Invitations and Liminoid Acts: The role of ludic strategies and tropes in immersive and micro-performance dramaturgies5 cited