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Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical
4 references·16 citing·32 second hop
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this work references cited by second hop

References

  • 1977Image-Music-Text3,641 cited
  • 1989Visual Pleasure and Narrative Cinema688 cited
  • 1986Art versus technology: the strange case of popular music254 cited
  • 1997REINSTATING CORPOREALITY:36 cited

Cited by

  • 2012Musical Styles and Song Conventions43 cited
  • 2018Copyright and the Value of Performance, 1770–191135 cited
  • 2012The Filmed Musical32 cited
  • 2012Tin Pan Alley Songs on Stage and Screen before World War II27 cited
  • 2012The Television Musical27 cited
  • 2009Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music26 cited
  • 2012Audiences and Critics19 cited
  • 2021Opera as Hypermedium18 cited
  • 2012Knowing Your Audience16 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2009Recombinant Broadway12 cited
  • 2012After the “Golden Age”10 cited
  • 2012Evolution of Dance in the Golden Age of the American “Book Musical”

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6 cited
  • 2007MUSICAL CREATION, RECEPTION, AND CONSUMPTION IN A VIRTUAL PLACE6 cited
  • 2012Class and Culture5 cited
  • 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited