Preface Abbreviations OUTLINES OF A MUSICAL PORTRAIT New Perspectives on Bach Biography Family Decisive Career Steps Employers and Patrons Buxtehude, Bach, and Seventeenth-Century Music in Retrospect Bach and Johann Adam Reinken: A Context for Early Works Vivaldi's Compositional Art, Bach, and Process of Thinking Bach and Tradition of Palestrina Style NEW SOURCES: BROADENED PERSPECTIVES Neumeister Collection of Chorale Preludes from Bach Circle Bach's Audition for St. Thomas Cantorate: Cantata Du wahrer Gott und Davids Sohn Origins of Kyrie of B Minor Mass Reformation Cantata Em feste Burg Handexemplar of Goldberg Variations Bach's Personal Copy of Schubler Chorales Clavier-Ubung Series Text-Critical Comments on Original Print of Partitas Bach's Leipzig Chamber Music New Research on Musical Offering Bach's Last Fugue: Unfinished? Compositional History of Art of Fugue Deathbed Exposing a Myth CONCEPTS, STYLE, AND CHRONOLOGY Chronology and Style in Early Works: A Background for Orgel-Buchlein Architecture of Passacaglia Organ in Bach's Cantatas Apropos Musical Offering: Thema Regium and Term Ricercar Agnus Dei of B Minor Mass: Parody and New Composition Reconciled Principles of Design and Order in Bach's Original Editions Toward a Definition of Last Period of Bach's Work EARLY RECEPTION AND ARTISTIC LEGACY On Original Editions of Bach's Works Bach's Vocal Music and Early Music Criticism On Recognition of Bach and the Bach Chorale: Eighteenth-Century Perspectives The Extraordinary Perfections of Hon. Court Composer: An Inquiry into Individuality of Bach's Music Notes and Postscripts Acknowledgments Index of Works by Johann Sebastian Bach Individual Compositions Collections Index of Archival Sources General Index
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