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Nonverbal behaviours in popular music performance: A case study of The Corrs
16 references·7 citing·45 second hop
Nonverbal behaviours in popular music performance: A case study of The Corrs (2005)Nonverbal behaviours in popular music per…Reading the Popular (2006)Reading the PopularThe Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox (2001)The Role of the Body in the P…Music in Everyday Life (2000)Music in Everyday LifePerforming Rites (1996)Performing RitesSound and vision: the music video reader (1994)Sound and vision: the music v…Assessments of the Emotional States of Others: Conscious Judgments Versus Emotional Contagion (1992)Assessments of the Emotional …Studying Popular Music (1991)Studying Popular MusicThe effect of power on susceptibility to emotional contagion (1990)The effect of power on suscep…The effects of facial control and facial mimicry on subjective reactions to comedy routines (1989)The effects of facial control…Sound Effects: Youth, Leisure and the Politics of Rock'n'roll (1986)Sound Effects: Youth, Leisure…Nonverbal Behavior (1983)Nonverbal BehaviorAnalysing popular music: theory, method and practice (1982)Analysing popular music: theo…Nonverbal behavior and nonverbal communication. (1972)Nonverbal behavior and nonver…Body movement and speech rhythm in social conversation. (1969)Body movement and speech rhyt…Some Formal Aspects of Communication (1967)Some Formal Aspects of Commun…Quasi-Courtship Behavior in Psychotherapy† (1965)Quasi-Courtship Behavior in P…Shared periodic performer movements coordinate interactions in duo improvisations (2018)Shared periodic performer mov…Music Regulators in Two String Quartets: A Comparison of Communicative Behaviors between Low- and High-Stress Performance Conditions (2016)Music Regulators in Two Strin…Indicators of Music Performance Anxiety in Nonverbal Behaviors: A Case Report of a Classical Vocal Soloist (2014)Indicators of Music Performan…The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves (2013)The movements made by perform…Gazing behavior and coordination during piano duo performance (2013)Gazing behavior and coordinat…Seeing Music? What musicians need to know about vision (2008)Seeing Music? What musicians …Seeing music performance: Visual influences on perception and experience (2005)Seeing music performance: Vis…Construct validity in psychological tests. (1955)The Presentation of Self in Everyday Life. (1956)Constants across cultures in the face and emotion. (1971)A naturalistic study of the meanings of touch (1985)Nonverbal Behavior and Nonverbal Communication: What do Conversational Hand Gestures Tell Us? (1996)The value of value congruence. 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(2005)Hearing lips and seeing voices (1976)Unheard melodies: narrative film music (1988)Textual Politics: Discourse and Social Dynamics (1996)Mirroring in Dance/Movement Therapy: Potential mechanisms behind empathy enhancement (2011)Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)The “Magic of the Mall”: An Analysis of Form, Function, and Meaning in the Contemporary Retail Built Environment (1993)Understanding Popular Culture (2006)The citizen-consumer hybrid: ideological tensions and the case of Whole Foods Market (2007)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)The Cambridge History of American Music (1998)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)“Where My Girls At?” (2002)INFORMATION SEEKING DURING ORGANIZATIONAL ENTRY: INFLUENCES, TACTICS, AND A MODEL OF THE PROCESS (1991)Interpersonal Deception Theory (1996)The Impacts of Emoticons on Message Interpretation in Computer-Mediated Communication (2001)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 2000Music in Everyday Life2,715 cited
  • 1996Performing Rites1,123 cited
  • 2006Reading the Popular705 cited
  • 1991Studying Popular Music556 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1994Sound and vision: the music video reader298 cited
  • 1990The effect of power on susceptibility to emotional contagion275 cited
  • 1972Nonverbal behavior and nonverbal communication.225 cited
  • 1983Nonverbal Behavior222 cited
  • 1989The effects of facial control and facial mimicry on subjective reactions to comedy routines160 cited
  • 1965Quasi-Courtship Behavior in Psychotherapy†143 cited
  • 1992Assessments of the Emotional States of Others: Conscious Judgments Versus Emotional Contagion135 cited
  • 1967Some Formal Aspects of Communication133 cited
  • 1969Body movement and speech rhythm in social conversation.126 cited
  • 2001The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox124 cited
  • 1986Sound Effects: Youth, Leisure and the Politics of Rock'n'roll

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116 cited

Cited by

  • 2005Seeing music performance: Visual influences on perception and experience230 cited
  • 2013The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves82 cited
  • 2013Gazing behavior and coordination during piano duo performance73 cited
  • 2008Seeing Music? What musicians need to know about vision72 cited
  • 2018Shared periodic performer movements coordinate interactions in duo improvisations58 cited
  • 2016Music Regulators in Two String Quartets: A Comparison of Communicative Behaviors between Low- and High-Stress Performance Conditions17 cited
  • 2014Indicators of Music Performance Anxiety in Nonverbal Behaviors: A Case Report of a Classical Vocal Soloist3 cited