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Theorizing the Cadence in the Music of Machaut
4 references·7 citing·19 second hop
Theorizing the Cadence in the Music of Machaut (2003)Theorizing the Cadence in the Music of Ma…The Grammar of Early Music: Preconditions for Analysis (2014)The Grammar of Early Music: P…"The Imperfect Seeks Its Perfection": Harmonic Progression, Directed Motion, and Aristotelian Physics (2001)"The Imperfect Seeks Its Perf…Johannes de Grocheio on secular music: a corrected text and a new translation (1993)Johannes de Grocheio on secul…On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)On Sonority in Fourteenth-Cen…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets (2017)Finding Fortune in Motet 13: …Rehearing Machaut's Motets (2010)Rehearing Machaut's Motets"Messy Structure"? Multiple Tonal Centers in the Music of Machaut (2008)"Messy Structure"? Multiple T…Treatise on Harmony (1973)Aristotle on substance: the paradox of unity (1990)The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional and Intellectual Contexts (1996)Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression (2006)Music as a communicative medium (2009)Discant, Counterpoint, and Harmony (1962)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)Music and the moderni, 1300–1350 (2018)Discarding images: reflections on music and culture in medieval France (1994)Motets, French Tenors, and the Polyphonic Chanson ca. 1300 (2007)Vocal performance in the seventeenth century (2012)The sound of beauty (2013)ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS (2001)Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony (1998)Intelligibility Redux (2017)
this work references cited by second hop

References

  • 1993Johannes de Grocheio on secular music: a corrected text and a new translation113 cited
  • 1986On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections103 cited
  • 2014The Grammar of Early Music: Preconditions for Analysis99 cited
  • 2001"The Imperfect Seeks Its Perfection": Harmonic Progression, Directed Motion, and Aristotelian Physics59 cited

Cited by

  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2017Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets45 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2010Rehearing Machaut's Motets27 cited
  • 2008"Messy Structure"? Multiple Tonal Centers in the Music of Machaut8 cited

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