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Abdullah Ibrahim and the uses of memory
16 references·3 citing·30 second hop
Abdullah Ibrahim and the uses of memory (2002)Abdullah Ibrahim and the uses of memorySouth African Concise Oxford Dictionary (2002)South African Concise Oxford …Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …On the Emergence of Memory in Historical Discourse (2000)On the Emergence of Memory in…Negotiating the Past: The Making of Memory in South Africa (2000)Negotiating the Past: The Mak…Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…Conventional Wisdom (2000)Conventional WisdomSongs of the Women Migrants: Performance and Identity in South Africa (1999)Songs of the Women Migrants: …Nightsong: Performance, Power, and Practice in South Africa (1999)Nightsong: Performance, Power…Realms of Memory Rethinking the French Past (1996)Realms of Memory Rethinking t…Nightsong: performance, power, and practice in South Africa (1996)Nightsong: performance, power…Marabi Nights: Early South African Jazz and Vaudeville (1996)Marabi Nights: Early South Af…Songs of Zion (1995)Songs of ZionHear me talkin' to ya: problems of jazz discourse (1993)Hear me talkin' to ya: proble…In Township Tonight! South Africa's black city music and theatre (1986)In Township Tonight! South Af…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities: Reflect…The African musician and the development of the Johannesburg entertainment industry, 1900–1960 (1979)The African musician and the …Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa (2008)Developing a retro brand comm…South Africa and American Jazz: Towards a Polyphonic Historiography (2007)South Africa and American Jaz…Musical Echoes of American Jazz: Towards a Comparative Historiography (2007)Musical Echoes of American Ja…Theorizing Musical Meaning (2001)The Oxford Handbook of The American Musical (2011)Action and Agency Revisited (2013)The Mute Always Speak: On Women’s Silences at the Truth and Reconciliation Commission (2004)Aversive Democracy: Inheritance and Originality in the Democratic Tradition (2008)Varieties of Reconciliation (2008)Shoot the sergeant, shatter the mountain: The production of masculinity in zulu ngoma song and dance in post-apartheid South Africa (2004)The Modern Girl Around the World (2008)Sounding the Cape (2013)Memory Unbound (2002)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)A Model of Historical Thinking (2015)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Multicultural Citizenship (1996)Banana Republics and V. I. Degrees: Rethinking Indian Folklore in a Postcolonial World (1993)The Economy and Poverty in the Twentieth Century (2011)I Am an African (2013)Engaging Colonial Nostalgia (2005)Israel's Holocaust and the Politics of Nationhood (2005)Multidirectional Memory (2020)Creativity, identity and healing: participants' accounts of music therapy in cancer care (2007)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Sound, Silence, Music: Power (2014)Intervention and Transnationalism in Africa (2001)The Black Atlantic Meets the Indian Ocean: Forging New Paradigms of Transnationalism for the Global South – Literary and Cultural Perspectives (2007)Birthright Citizens (2018)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)
this work references cited by second hop

References

  • 1984Imagined Communities: Reflections on the Origin and Spread of Nationalism11,054 cited
  • 1996Realms of Memory Rethinking the French Past829 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2000On the Emergence of Memory in Historical Discourse462 cited
  • 2000Negotiating the Past: The Making of Memory in South Africa316 cited
  • 1995Songs of Zion271 cited
  • 1986In Township Tonight! South Africa's black city music and theatre257 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 2000Conventional Wisdom179 cited
  • 1996Marabi Nights: Early South African Jazz and Vaudeville168 cited
  • 1999Songs of the Women Migrants: Performance and Identity in South Africa119 cited
  • 1999Nightsong: Performance, Power, and Practice in South Africa95 cited
  • 2002South African Concise Oxford Dictionary82 cited
  • 1996Nightsong: performance, power, and practice in South Africa68 cited
  • 1979The African musician and the development of the Johannesburg entertainment industry, 1900–196045 cited
  • 1993

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Hear me talkin' to ya: problems of jazz discourse
26 cited

Cited by

  • 2008Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa10 cited
  • 2007South Africa and American Jazz: Towards a Polyphonic Historiography7 cited
  • 2007Musical Echoes of American Jazz: Towards a Comparative Historiography4 cited