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The Renaissance: From the 1470s to the End of the 16th Century
0 references·11 citing·18 second hop
The Renaissance: From the 1470s to the End of the 16th Century (1991)The Renaissance: From the 1470s to the En…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…:Reformation and the Culture of Persuasion (2007):Reformation and the Culture …Renaissance, Mannerism, Baroque (2005)Renaissance, Mannerism, Baroq…Annibale Stabile and performance practice at two Roman institutions (2004)Annibale Stabile and performa…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina (1966)The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process (1984)Performance practice in the Papal Chapel during the 17th century (1987)The Civilization of the Renaissance in Italy (1946)The Economy of Europe in an Age of Crisis, 1600–1750 (1976)The New Grove Dictionary of Music and Musicians (1981)The crowd: A study of the popular mind. (1908)The Printing Press as an Agent of Change (1980)Structure and Dynamics of Religious Insurgency (2012)Biblical nationalism and the sixteenth-century states (2013)Popular Culture in Early Modern Europe (2017)Public Goods Institutions, Human Capital, and Growth: Evidence from German History (2019)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)
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Cited by

  • 2007:Reformation and the Culture of Persuasion59 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2004Annibale Stabile and performance practice at two Roman institutions3 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2005Renaissance, Mannerism, Baroque3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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