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Andrew Marvell's Anamorphic Tears
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Andrew Marvell's Anamorphic Tears (2006)Andrew Marvell's Anamorphic TearsLiterature as System: Essays Toward the Theory of Literary History (2015)Literature as System: Essays …The Poems of Andrew Marvell (2013)The Poems of Andrew MarvellWomen, death and literature in post-Reformation England (2003)Women, death and literature i…Imperfect sense: the predicament of Milton's irony (2001)Imperfect sense: the predicam…Crying: the natural and cultural history of tears (2000)Crying: the natural and cultu…The tears of Narcissus: melancholia and masculinity in early modern writing (1996)The tears of Narcissus: melan…Telling Tears in the English Renaissance (1996)Telling Tears in the English …:Mary Magdalen: Myth and Metaphor (1996):Mary Magdalen: Myth and Meta…:Pencils Rhetorique: Renaissance Poets and the Art of Painting (1995):Pencils Rhetorique: Renaissa…Plotinus or the Simplicity of Vision (1994)Plotinus or the Simplicity of…Grief and English Renaissance Elegy (1985)Grief and English Renaissance…Renaissance Self-Fashioning from More to Shakespeare (1982)Renaissance Self-Fashioning f…Approaches to Marvell: The York Tercentenary Lectures (1978)Approaches to Marvell: The Yo…From Shadow to Promise (1969)From Shadow to PromiseThe complete poetry and selected prose of John Donne (1941)The complete poetry and selec…THE PHILOSOPHY OF PLOTINUS (1913)THE PHILOSOPHY OF PLOTINUSThe Metaphysics of Dante's Comedy (2005)The Cambridge History of Jewish Philosophy (2008)Plotinus on Consciousness (2018)Male Friendship in Shakespeare and his Contemporaries (2007)John Clare and Community (2012)Mythologies of the Prophet Muhammad in Early Modern English Culture (2013)Rethinking the "Gnostic Mary": Mary of Nazareth and Mary of Magdala in Early Christian Tradition (2001)Jesus of Hollywood (2007)Religious Refugees in the Early Modern World: An Alternative History of the Reformation (2016)Adult Crying: A Model and Review of the Literature (2000)There’s No Crying in Baseball, or Is There? Male Athletes, Tears, and Masculinity in North America (2014)The Comforting Touch: Tactile Intimacy and Talk in Managing Children’s Distress (2017)Culture, gender and self–close‐other(s) connectedness in Canadian and Chinese samples (2001)Historical generations and psychology: The case of the Great Depression and World War II. (2002)The Poetry of Religious Sorrow in Early Modern England (2008)The Genius of the Shore: Lycidas, Adamastor, and the Poetics of Nationalism (1996)The Problem of Early Modern Melancholy* (2006)The Cambridge History of Christianity (2009)The Restoration of the Jews: Early Modern Hermeneutics, Eschatology, and National Identity in the Works of Thomas Brightman (2014)Literacy and literacies texts, power, and identity (2003)Literacy and Literacies (2003)The Subject of Virtue: An Anthropology of Ethics and Freedom (2013)Theories of genre (2000)Genre and interpretation (2013)The Cambridge Introduction to Satire (2018)Performance and Performativity: A Geography of Unknown Lands (2004)The Cambridge History of English Poetry (2010)Etica & Politica - Ethics & Politics (2012)
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References

  • 1982Renaissance Self-Fashioning from More to Shakespeare1,639 cited
  • 1994Plotinus or the Simplicity of Vision189 cited
  • 2000Crying: the natural and cultural history of tears153 cited
  • 1985Grief and English Renaissance Elegy124 cited
  • 1996:Mary Magdalen: Myth and Metaphor114 cited
  • 2013The Poems of Andrew Marvell107 cited
  • 1969From Shadow to Promise102 cited
  • 2015Literature as System: Essays Toward the Theory of Literary History102 cited
  • 1941The complete poetry and selected prose of John Donne96 cited
  • 1996Telling Tears in the English Renaissance92 cited
  • 1996The tears of Narcissus: melancholia and masculinity in early modern writing82 cited
  • 2003Women, death and literature in post-Reformation England41 cited
  • 1978Approaches to Marvell: The York Tercentenary Lectures33 cited
  • 2001Imperfect sense: the predicament of Milton's irony31 cited
  • 1913THE PHILOSOPHY OF PLOTINUS27 cited
  • 1995:Pencils Rhetorique: Renaissance Poets and the Art of Painting20 cited

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