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Lilies and Violence: Lavinia's Blush in the Song of Orpheus
16 references·0 citing·29 second hop
Lilies and Violence: Lavinia's Blush in the Song of Orpheus (1999)Lilies and Violence: Lavinia's Blush in t…Ovid: Heroides: Select Epistles (1996)Ovid: Heroides: Select Epistl…Altre voci nell' "Eneide" di Ovidio (1995)Altre voci nell' "Eneide" di …Vergil's Aeneid: Subversion by Intertextuality Catullus 66.39–40 and Other Examples (1994)Vergil's Aeneid: Subversion b…Vergil's "Georgics" and the Traditions of Ancient Epic: The Art of Allusion in Literary History (1993)Vergil's "Georgics" and the T…The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse (1989)The Metamorphosis of Persepho…The Artist's Limits in Ovid: Orpheus, Pygmalion, and Daedalus (1989)The Artist's Limits in Ovid: …The Book of Good Love? Design Versus Desire in Metamorphoses 10 (1988)The Book of Good Love? Design…Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets (1987)Metaformations: Soundplay and…Virgil's Georgics and the Art of Reference (1986)Virgil's Georgics and the Art…The Sacrifice of Iphigeneia: An Example of ‘Distribution’ of a Lucretian Theme in Virgil (1984)The Sacrifice of Iphigeneia: …Mythic and Non-Mythic Artists in Ovid's Metamorphoses (1984)Mythic and Non-Mythic Artists…Lavinia's Blush: Vergil, Aeneid 12.64–70 (1983)Lavinia's Blush: Vergil, Aene…P. Vergili Maronis Aeneidos Liber Primus (1974)P. Vergili Maronis Aeneidos L…Ovid's Metamorphoses. Books 6-10 (1974)Ovid's Metamorphoses. Books 6…Ekphrasis and the Theme of Artistic Failure in Ovid's Metamorphoses (1974)Ekphrasis and the Theme of Ar…Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature (1970)Scribes and Scholars: A Guide…Reading Greek Tragedy (1986)The Kristeva reader (1986)Virgil's Aeneid: Cosmos and Imperium (1986)Embodying the Tragic Father(s): Autobiography and Intertextuality in Aristophanes (2010)Materiam superabat opus: Lucretius Metamorphosed (2014)Apollonius Rhodius, Herodotus and Historiography (2020)Ovid (1945)The Poetry of the Aeneid (1965)Ovid as an Epic Poet (1966)Ovid's Lovers: Desire, Difference and the Poetic Imagination (2006)Inconsistency in Roman Epic: Studies in Catullus, Lucretius, Vergil, Ovid and Lucan (2007)Simile and Identity in Ovid's Metamorphoses (2012)Traditions and Contexts in the Poetry of Horace (2002)Claudian and the Roman Epic Tradition (2012)Cassandra and the Poetics of Prophecy in Greek and Latin Literature (2019)Gender and Romance in Chaucer's "Canterbury Tales" (1994)Reading Roman comedy: poetics and playfulness in Plautus and Terence (2010)Rhetoric of Economics (1998)The Cambridge History of Hellenistic Philosophy (1999)Written Texts and the Rise of Literate Culture in Ancient Greece (2003)Pestilence and the Body Politic in Latin Literature (2019)Generalising About Ovid (1987)The Death of Priam: Allegory and History in the Aeneid (1990)First Similes in Epic (2014)The Ovidian Heroine as Author (2005)Ovid's revisions: the editor as author (2014)Classical Genre in Theory and Practice (2003)Intertextuality in the Digital Age (2012)On the Intersignification of Monuments in Augustan Rome (2013)
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References

  • 1986Virgil's Georgics and the Art of Reference360 cited
  • 1970Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature360 cited
  • 1996Ovid: Heroides: Select Epistles138 cited
  • 1989The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse136 cited
  • 1974Ovid's Metamorphoses. Books 6-10132 cited
  • 1987Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets125 cited
  • 1974Ekphrasis and the Theme of Artistic Failure in Ovid's Metamorphoses114 cited
  • 1993Vergil's "Georgics" and the Traditions of Ancient Epic: The Art of Allusion in Literary History78 cited
  • 1974P. Vergili Maronis Aeneidos Liber Primus72 cited
  • 1994Vergil's Aeneid: Subversion by Intertextuality Catullus 66.39–40 and Other Examples70 cited
  • 1984Mythic and Non-Mythic Artists in Ovid's Metamorphoses66 cited
  • 1983Lavinia's Blush: Vergil, Aeneid 12.64–7056 cited
  • 1989The Artist's Limits in Ovid: Orpheus, Pygmalion, and Daedalus44 cited
  • 1984The Sacrifice of Iphigeneia: An Example of ‘Distribution’ of a Lucretian Theme in Virgil44 cited
  • 1988The Book of Good Love? Design Versus Desire in Metamorphoses 1033 cited

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  • 1995Altre voci nell' "Eneide" di Ovidio19 cited
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