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In Lebanon and Syria, a network of Christian female mystics has been forming since the early 1980s. Every year on Good Friday, all these women relive Christ’s sufferings more or less dramatically. Some, crippled with pain, tend to isolate themselves. In contrast, others show the wounds that appear on their bodies to crowds of devotees. This article will focus on the ritual of ‘crucifixion’ ( insilâb). Based on a description of Catherine Fahmi’s insilâb, the author will show that stigmatization is both a paradigm and a process: even if it inscribes itself in a long imitatio Christi tradition, which has been formalized and theorized over the centuries, the ritual also contributes to deeply transforming the Passion myth. Uncertainty – along with its subsequent questions, concerns, and hesitations – is key to this process.
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