SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Amores Perros: Exotic Violence And Neoliberal Fear1
5 references·4 citing·24 second hop
Amores Perros: Exotic Violence And Neoliberal Fear1 (2006)Amores Perros: Exotic Violence And Neolib…La obra de arte en la época de su reproductibilidad técnica (2017)La obra de arte en la época d…Crimes Against the State Crimes Against Persons: Detective Fiction in Cuba and Mexico (2004)Crimes Against the State Crim…Contemporary Cinema of Latin America (2003)Contemporary Cinema of Latin …Amores Perros (2003)Amores PerrosAffecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perrros (2003)Affecting legacies: historica…Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010) (2015)Empathy and sinophobia: depic…The Magical Neoliberalism of Network Films (2014)The Magical Neoliberalism of …Innocence Interrupted (2012)Innocence InterruptedLove as Politics:Amores Perrosand the Emotional Aesthetics of Neoliberalism (2010)Love as Politics:Amores Perro…Postmodernism, or, The cultural logic of late capitalism (1991)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Multitude: war and democracy in the age of empire (2005)Spanish Film Under Franco (1988)Stars and Masculinities In Spanish Cinema (2003)The International Handbook on Gender, Migration and Transnationalism (2013)Les damnés de la terre (1964)The end of history (1989)The Last Colonial Massacre (2004)The Way of the World: The Bildungsroman in European Culture (1989)Foundational Fictions (1991)Consumers and Citizens: Globalization and Multicultural Conflicts (2001)TEORÍA GENERAL DE LA INFORMACIÓN (1997)“UN DINAMISMO ABRASADOR”: LA VELOCIDAD DEL CINE MUDO EN LA LITERATURA IBEROAMERICANA DE LOS AÑOS VEINTE Y TREINTA (2002)La Memoria. Investigación Basada en las Artes para la formación del profesorado (2022)La Habana Cotidiana: Espacio Urbano en el Cine de Fernando Pérez (2006)Between the Market and a Hard Place: Fernando Pérez’s Suite Habana in a Post-utopian Cuba (2007)Alejandro Gonzlez Irritu: director without borders (2009)Crime Fiction as World Literature (2014)Un análisis sociocrítico de algunas narconarrativas mexicanas (2014)The figure of the absent father in recent Latin American films (2004)Tomás Gutiérrez Alea and the Art of Revolutionary Cinema (2009)Wholly ambivalent demon-girl: horror, the uncanny and the representation of feminine adolescence in Lucrecia Martel'sLa niña santa (2011)STRUCTURAL FILM: (2008)
this work references cited by second hop

References

  • 2017La obra de arte en la época de su reproductibilidad técnica314 cited
  • 2004Crimes Against the State Crimes Against Persons: Detective Fiction in Cuba and Mexico85 cited
  • 2003Contemporary Cinema of Latin America62 cited
  • 2003Amores Perros40 cited
  • 2003Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perrros29 cited

Cited by

  • 2014The Magical Neoliberalism of Network Films8 cited
  • 2015Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010)6 cited
  • 2010Love as Politics:Amores Perrosand the Emotional Aesthetics of Neoliberalism6 cited
  • 2012Innocence Interrupted6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work