Front-stage/back-stage: segundas vidas en la dimensión social del espacio de la ciudad neoliberal

Abstract

Based on the Argentine novel El oido absoluto (Marcelo Cohen 1989) and the film Buenos Aires viceversa (Alejandro Agresti, 1996) this study analyzes in Buenos Aires a pivotal historical turning point for the understanding of the new urban geographies of globalization from the ‘90s. It examines how, in the social dimension of space, their mono-funtionality coexists with the complex dynamics (gestalts) of the organic/grotesque city and its diverse and poli-centered subject. It also analyzes the social praxis generated by both urban typologies as well as the identitary models induced by them.

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