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The PRODUCTION CODE Under New Management: Geoffrey Shurlock, The Bad Seed, and Tea and Sympathy
7 references·2 citing·24 second hop
The PRODUCTION CODE Under New Management: Geoffrey Shurlock, The Bad Seed, and Tea and Sympathy (1994)The PRODUCTION CODE Under New Management:…The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s (1991)The Dame in the Kimono: Holly…The Breening of America (1991)The Breening of AmericaThe dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s (1990)The dame in the kimono: Holly…Review: The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s by Leonard J. Leff, Jerold L. Simmons (1990)Review: The Dame in the Kimon…Morality and Entertainment: The Origins of the Motion Picture Production Code (1990)Morality and Entertainment: T…The Censorship of "Blonde Venus": Textual Analysis and Historical Method (1988)The Censorship of "Blonde Ven…‘Baby Face’, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash (1986)‘Baby Face’, or How Joe Breen…The Cold War Horror Film: Taboo and Transgression inThe Bad Seed, The Fly, andPsycho (2001)The Cold War Horror Film: Tab…The Production and Display of the Closet: Making Minnelli's "Tea and Sympathy" (1997)The Production and Display of…Engagement and Marriage. (1953)Hitchcock’S Films Revisited (1960)Mediating The Fly : Posthuman Metamorphosis in the 1950s (2002)Monsters in the closet: Homosexuality and the horror film (2015)Christianity, Social Tolerance, and Homosexuality (1981)Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States, 1940-1970 (1983)Epistemology of the Closet (1990)Max Perkins: Editor of Genius. (1979)The Corporate Imaginary in John Ford's New Deal Cinema (2009)Suffer the Little Vixens: Sex and Realist Terror in “Jazz Age” America (2015)"The Kinda Comedy That Imitates Me": Mae West's Identification with the Feminist Camp (1993)Heroes and Misfits: The Troubled Social Reintegration of Disabled Veterans in "The Best Years of Our Lives" (1994)Coming Attractions: Reading American Movie Trailers (2004)The Censoring of Rebel Without a Cause (1995)A Damned Nuisance: The Production Code and the Profanity Amendment of 1954 (1997)Vixen Resistin’ (2008)The New Suzie Wong: Normative Assumptions of White Male and Asian Female Relationships (2010)The genesis of the production code (1995)Repellent Subjects: Hollywood Censorship and Surgical Images in the 1930s (1998)Hollywood Be Thy Name: African American Religion in American Film, 1929–1949 (2007)An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-1937 (2002)Queer Nationality (written with Elizabeth Freeman) (1997)A Foreign Affair : Billy Wilder's American Films (2008)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)
this work references cited by second hop

References

  • 1991The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s75 cited
  • 1990The dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s69 cited
  • 1990Morality and Entertainment: The Origins of the Motion Picture Production Code51 cited
  • 1988The Censorship of "Blonde Venus": Textual Analysis and Historical Method25 cited
  • 1986‘Baby Face’, or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash20 cited
  • 1990Review: The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s by Leonard J. Leff, Jerold L. Simmons19 cited
  • 1991The Breening of America13 cited

Cited by

  • 1997The Production and Display of the Closet: Making Minnelli's "Tea and Sympathy"8 cited
  • 2001The Cold War Horror Film: Taboo and Transgression inThe Bad Seed, The Fly, andPsycho8 cited

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