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Antwerp artists and the practice of painting on copper
8 references·3 citing·32 second hop
Antwerp artists and the practice of painting on copper (1998)Antwerp artists and the practice of paint…Materials for a History of Oil Painting (2008)Materials for a History of Oi…Historical Painting Techniques, Materials, and Studio Practice (1999)Historical Painting Technique…Copper as canvas: two centuries of masterpiece paintings on copper, 1575-1775 (1999)Copper as canvas: two centuri…The lives of the illustrious Netherlandish and German painters, from the first edition of the Schilder-boeck (1603-1604), preceded by the lineage, circumstances and place of birth, life and works of Karel van Mander, painter and poet and likewise his death and burial, from the second edition of the Schilder-boeck (1616-1618) (1994)The lives of the illustrious …Dawn of the Golden Age: northern Netherlandish art, 1580-1620 (1994)Dawn of the Golden Age: north…Arte de la pintura: 10000 (1990)Arte de la pintura: 10000Artists' techniques in Golden Age Spain : six treatises in translation (1986)Artists' techniques in Golden…The golden compasses : a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp (1969)The golden compasses : a hist…Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces (2020)Multi-Spectroscopic Approach …Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam (2015)Paintings on copper by the Fl…Blake's Heavy Metal The History, Weight, Uses, Cost, and Makers of His Copper Plates (2007)Blake's Heavy Metal The Histo…Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Ion beam analysis of art works: 14 years of use in the Louvre (2004)Conservation of Easel Paintings (2013)Identification and imaging of modern paints using Secondary Ion Mass Spectrometry with MeV ions (2017)External Beam IBA Measurements for Cultural Heritage (2023)The London book trades 1775-1800: A preliminary checklist of members (1977)THE HEATH FAMILY ENGRAVERS (1779–1878) (1994)Milton (2019)System, Myth, and Symbol (2019)Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Study of the GC–MS determination of the palmitic–stearic acid ratio for the characterisation of drying oil in painting: La Encarnación by Alonso Cano as a case study (2011)Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging (2017)The Characterization of Cobalt Violet Pigments (2002)An Egyptian Cartonnage of the Graeco-Roman Period (2003)Problems of Analysis by FTIR of Calcium Sulphate–Based Preparatory Layers: The Case of a Group of 16th‐Century P ortuguese Paintings (2013)Artists as scientists: nature and realism in early modern Europe (2000)THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE (2012)The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance (2017)Between science and craft: The case of berthollet and dyeing (1990)British Watercolour Cakes from the Eighteenth to the Early Twentieth Century (2005)Py‐GC/MS of Natural and Synthetic Resins (2009)Envisioning Netherlandish Unity: Claes Visscher’s 1612 Copies of the Small Landscape Prints (2011)The Amsterdam Guild of Saint Luke in the 17th Century (2012)Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-1800 (2016)Appendices: The rise of the philosophical textbook (1988)Moral philosophy (1988)The printing revolution in early modern Europe (1993)The degradation of oil painted copper surfaces (2006)On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop (2015)Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources (2017)On the Date and Contents of a Portuguese Medieval Technical Book on Illumination (2008)The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises (2019)
this work references cited by second hop

References

  • 1969The golden compasses : a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp148 cited
  • 1990Arte de la pintura: 10000109 cited
  • 1999Historical Painting Techniques, Materials, and Studio Practice91 cited
  • 2008Materials for a History of Oil Painting43 cited
  • 1986Artists' techniques in Golden Age Spain : six treatises in translation23 cited
  • 1999Copper as canvas: two centuries of masterpiece paintings on copper, 1575-177519 cited
  • 1994Dawn of the Golden Age: northern Netherlandish art, 1580-162015 cited
  • 1994The lives of the illustrious Netherlandish and German painters, from the first edition of the Schilder-boeck (1603-1604), preceded by the lineage, circumstances and place of birth, life and works of Karel van Mander, painter and poet and likewise his death and burial, from the second edition of the Schilder-boeck (1616-1618)14 cited

Cited by

  • 2007Blake's Heavy Metal The History, Weight, Uses, Cost, and Makers of His Copper Plates43 cited
  • 2015Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam16 cited
  • 2020Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces13 cited

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