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The technique of the mural paintings of the Tournai Cathedral
5 references·5 citing·45 second hop
The technique of the mural paintings of the Tournai Cathedral (2006)The technique of the mural paintings of t…Pigments of English medieval wall painting (2007)Pigments of English medieval …Pigments of English Medieval Wall Painting (2005)Pigments of English Medieval …The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome (2004)The Use of Egyptian Blue and …Probing history with Raman spectroscopy (2004)Probing history with Raman sp…Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy (2003)Analysis of green copper pigm…Detection of unexpected copper sulfate decay compounds on late Gothic mural paintings: Assessing the threat of environmental impact (2021)Detection of unexpected coppe…A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)A pXRF In Situ Study of 16th–…Material and diagnostic characterization of 17th century mural paintings by spectra‐colorimetry and SEM‐EDS : An insight look at José de Escovar Workshop at the CONVENT of Na Sra da Saudação (Southern Portugal) (2013)Material and diagnostic chara…A detailed micro‐Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples (2010)A detailed micro‐Raman spectr…Analytical study of polychromy on exterior sculpted stone (2009)Analytical study of polychrom…Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance (2002)Colour and art: A brief history of pigments (2005)Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques (2013)In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble (2016)Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology (2019)2. 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this work references cited by second hop

References

  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2007Pigments of English medieval wall painting67 cited
  • 2004Probing history with Raman spectroscopy58 cited
  • 2005Pigments of English Medieval Wall Painting39 cited

Cited by

  • 2010A detailed micro‐Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples22 cited
  • 2009Analytical study of polychromy on exterior sculpted stone19 cited
  • 2021Detection of unexpected copper sulfate decay compounds on late Gothic mural paintings: Assessing the threat of environmental impact12 cited
  • 2019A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)12 cited
  • 2013Material and diagnostic characterization of 17th century mural paintings by spectra‐colorimetry and SEM‐EDS : An insight look at José de Escovar Workshop at the CONVENT of Na Sra da Saudação (Southern Portugal)9 cited

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