El arte y la construcción del sujeto: una reflexión con Nan Goldin acerca de las narrativas familiares

Abstract

This article analyzes the conditions that enable the construction of the contemporary subject through art. I argue that the artistic work is a tool that permits the construction of the artist not only on the basis of institutions and representations of subjection, but also of representations of liberation. In order to analyze this process, I focus on the family narrative of contemporary artist Nan Goldin (Washington, 1953). Over the last forty years Goldin has crafted a visual diary in which she reflects on the characteristics of identity construction through family photos. I understand Goldin’s identity as both narrative and nomad. Though momentarily anchored in partial points, this identity does not adopt pre-established roles and is continuously in flux. I consider the art she produces as an open, deconstructive, narrative and lacerated work, and contend that these artistic and identity constructions are closely intertwined.

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