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BABYLON'S 'NATURAL MYSTIC': THE NORTH AMERICAN MUSIC INDUSTRY, THE LEGEND OF BOB MARLEY, AND THE INCORPORATION OF TRANSNATIONALISM
6 references·9 citing·40 second hop
BABYLON'S 'NATURAL MYSTIC': THE NORTH AMERICAN MUSIC INDUSTRY, THE LEGEND OF BOB MARLEY, AND THE INCORPORATION OF TRANSNATIONALISM (1998)BABYLON'S 'NATURAL MYSTIC': THE NORTH AME…There Ain't No Black in the Union Jack (2013)There Ain't No Black in the U…Stuart Hall: Critical Dialogues in Cultural Studies (2006)Stuart Hall: Critical Dialogu…Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. (1999)Dangerous Crossroads: Popular…Contested Culture: The Image, the Voice, and the Law. (1993)Contested Culture: The Image,…Postmodernism, or, the Cultural Logic of Late Capitalism (1992)Postmodernism, or, the Cultur…Catch a Fire: The Life of Bob Marley (1983)Catch a Fire: The Life of Bob…Survival in ‘Survival’: A Multimodal Analysis of Bob Marley’s Lyrics (2019)Survival in ‘Survival’: A Mul…In Plenty and in Time of Need: Popular Culture and the Remapping of Barbadian Identity (2019)In Plenty and in Time of Need…From Gugulethu to the World: Rastafarian Cosmopolitanism in the South African Reggae Music of Teba Shumba and the Champions (2016)From Gugulethu to the World: …The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century (2012)The concert hall as a medium …Reworking and resisting globalising influences: Cape Town hip-hop (2010)Reworking and resisting globa…Impact of the British Bangladeshi musicians of London: a brief look at the popular musical styles of postcolonial migrant peoples. (2009)Impact of the British Banglad…World music: deterritorializing place and identity (2004)World music: deterritorializi…There Goes the Transnational Neighborhood: Calypso Buys a Bungalow (2002)There Goes the Transnational …Transcending audience generalizations: Consumerism reconsidered in the case of Elvis Presley fans (2000)Transcending audience general…Marxism and the philosophy of language (1973)The Postmodern Condition: A Report on Knowledge (1984)Feminist practice and poststructuralist theory (1988)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Rethinking Critical Theory and Qualitative Research (2011)Intersectionality's Definitional Dilemmas (2015)The Presentation of Self in Everyday Life. (1956)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Calypso Calaloo: Early Carnival Music in Trinidad (1996)Carnival, Canboulay and calypso: traditions in the making (1997)The Black Atlantic: Modernity and Double Consciousness. (1997)Salsa Criticism at the Turn of the Century: Identity Politics and Authenticity (2005)IT SOUNDS BETTER IN THE BAHAMAS (2019)The Political Economy of Music and Sound (2019)Distinction. A Social Critique of the Judgement of Taste (1985)Disjuncture and Difference in the Global Cultural Economy (1990)Introduction: Music and Migration (2006)Regions and place: music, identity and place (2006)Sonic geographies (2013)The Essential Frankfurt School Reader (1979)Twilight Memories: Marking Time in a Culture of Amnesia (1997)5. The Practice of Everyday Life (2000)Music audiences: An introduction (2012)Transnational soap operas and viewing practices in the digital age: The Greek fandom of Turkish dramas (2023)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)The Limits of Authenticity in Vietnamese Consumer Markets (2006)The Plain Language Movement (2012)A Sweet Lullaby for World Music (2001)Youth and Cultural Practice (2002)The Cambridge History of African American Literature (2011)Conceptualizing Contemporary Health Lifestyles: Moving Beyond Weber (1997)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Aesthetics as Philosophy of Perception (2016)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Club cultures: music, media and subcultural capital (1996)Methodology of the Oppressed (2010)Rastafari (2003)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Exploring the existential function of religion: The effect of religious fundamentalism and mortality salience on faith-based medical refusals. (2009)
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References

  • 2006Stuart Hall: Critical Dialogues in Cultural Studies3,395 cited
  • 2013There Ain't No Black in the Union Jack1,752 cited
  • 1992Postmodernism, or, the Cultural Logic of Late Capitalism850 cited
  • 1993Contested Culture: The Image, the Voice, and the Law.312 cited
  • 1999Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place.238 cited
  • 1983Catch a Fire: The Life of Bob Marley78 cited

Cited by

  • 2004World music: deterritorializing place and identity199 cited
  • 2002There Goes the Transnational Neighborhood: Calypso Buys a Bungalow28 cited
  • 2019In Plenty and in Time of Need: Popular Culture and the Remapping of Barbadian Identity9 cited
  • 2000Transcending audience generalizations: Consumerism reconsidered in the case of Elvis Presley fans8 cited
  • 2010Reworking and resisting globalising influences: Cape Town hip-hop6 cited
  • 2012The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century4 cited
  • 2016From Gugulethu to the World: Rastafarian Cosmopolitanism in the South African Reggae Music of Teba Shumba and the Champions3 cited
  • 2019Survival in ‘Survival’: A Multimodal Analysis of Bob Marley’s Lyrics3 cited

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2009
Impact of the British Bangladeshi musicians of London: a brief look at the popular musical styles of postcolonial migrant peoples.
2 cited