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Tennyson: The Critical Heritage
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Tennyson: The Critical Heritage (1969)Tennyson: The Critical Heritage“The Poet of Science”: How Scientists Read Their Tennyson (2012)“The Poet of Science”: How Sc…The Cambridge History of English Poetry (2010)The Cambridge History of Engl…Spenser (2010)SpenserOld English poetry (2010)Old English poetryForm Things: Looking at Genre through Victorian Diamonds (2010)Form Things: Looking at Genre…The Once and Future Sword: Excalibur and the Poetics of Imperial Heroism in Idylls of the King (2008)The Once and Future Sword: Ex…"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine (2006)"What profits me my name?" Th…Hazlitt, Horne, and the Spirit of the Age (2005)Hazlitt, Horne, and the Spiri…Listening to Guinevere: Female Agency and the Politics of Chivalry in Tennyson's Idylls (2004)Listening to Guinevere: Femal…"A Poet Never Sees a Ghost": Photography and Trance in Tennyson's Enoch Arden and Julia Margaret Cameron's Photography (2003)"A Poet Never Sees a Ghost": …"Charades from the Middle Ages"? Tennyson's Idylls of the King and the Chivalric Code (2002)"Charades from the Middle Age…Tennyson's King Arthur and the Violence of Manliness (2000)Tennyson's King Arthur and th…Assimilation in The Promised Land: Mary Antin and the Jewish Origins of the American Self (1998)Assimilation in The Promised …Sappho and the Making of Tennysonian Lyric (1994)Sappho and the Making of Tenn…The Female King: Tennyson's Arthurian Apocalypse (1983)The Female King: Tennyson's A…Strangers in the Land: Patterns of American Nativism, 1860-1925 (1956)Race: The History of an Idea in America. (1964)Beyond Ethnicity: Consent and Descent in American Culture (1986)Race, Literary History, and the "Jewish" Question (2001)The Adolescent Self-Fashioning of Mary Antin (2013)The Cambridge History of Jewish American Literature (2015)The Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800-1850 (1997)The Radical Aesthetic (2000)Playing and Reality (2012)The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 (1958)The Melodramatic Imagination (1984)An Inquiry Into the Original of Our Ideas of Beauty and Virtue (2018)Print and Performance in the 1820s (2020)The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. (1980)The Greek Heritage in Victorian Britain (1981)Masculine desire: the sexual politics of Victorian aestheticism (1991)Victorian Literature and the Reception of Greece and Rome (2010)The Grammar of Science (1892)Victorian Poetry: Poetry, Poets and Politics (1993)Life and Letters of Thomas Henry Huxley (2011)Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry (2019)Gabriel Harvey and the History of Reading: Essays by Lisa Jardine and others (2023)The Second Sex (1949)The death of nature : women, ecology, and the scientific revolution (1989)Over Her Dead Body: Death, Femininity and the Aesthetic (1994)Aesthetics: Lectures on Fine Art (1835)Reading for the plot : design and intention in narrative (1984)The Social Life of Things (1986)STUDIES ON THE PSYCHOLOGY OF SEX (1899)The Elementary Structures of Kinship. (1970)42. Reflections on the Revolution in France (2016)The Great War and Modern Memory (1976)Renaissance Self-Fashioning from More to Shakespeare (1981)The reading nation in the Romantic period (2005)Of Bede’s ‘five languages and four nations’: the earliest writing from Ireland, Scotland and Wales (2012)The art of writing: scripts and scribal production (2012)The authority of English, 900–1150 (2012)Bede and the northern kingdoms (2012)Riddles, wonder and responsiveness in Anglo-Saxon literature (2012)The Great War and Modern Memory (2017)(Un)couth: Chaucer,The Shepheardes Calender, and the Forms of Mediation (2018)
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Cited by

  • 2010Form Things: Looking at Genre through Victorian Diamonds72 cited
  • 2010The Cambridge History of English Poetry50 cited
  • 1998Assimilation in The Promised Land: Mary Antin and the Jewish Origins of the American Self47 cited
  • 2010Old English poetry33 cited
  • 2012“The Poet of Science”: How Scientists Read Their Tennyson27 cited
  • 2005Hazlitt, Horne, and the Spirit of the Age25 cited
  • 1994Sappho and the Making of Tennysonian Lyric24 cited
  • 2004Listening to Guinevere: Female Agency and the Politics of Chivalry in Tennyson's Idylls17 cited
  • 2006"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine16 cited
  • 1983The Female King: Tennyson's Arthurian Apocalypse15 cited
  • 2010Spenser14 cited
  • 2000Tennyson's King Arthur and the Violence of Manliness13 cited
  • 2003"A Poet Never Sees a Ghost": Photography and Trance in Tennyson's Enoch Arden and Julia Margaret Cameron's Photography8 cited
  • 2002"Charades from the Middle Ages"? Tennyson's Idylls of the King and the Chivalric Code5 cited
  • 2008The Once and Future Sword: Excalibur and the Poetics of Imperial Heroism in Idylls of the King

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4 cited