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Philosophy Recomposed: Stanley Cavell and the Critique of New Music
16 references·0 citing·29 second hop
Philosophy Recomposed: Stanley Cavell and the Critique of New Music (2010)Philosophy Recomposed: Stanley Cavell and…Musical modernism at the turn of the twenty-first century (2010)Musical modernism at the turn…The Pleasure of Modernist Music (2004)The Pleasure of Modernist Mus…The Availability of Wittgenstein's Later Philosophy (2002)The Availability of Wittgenst…Positive or Negative. (2002)Positive or Negative.Hearing things: voice and method in the writing of Stanley Cavell (1999)Hearing things: voice and met…Composer in Interview: Helmut Lachenmann (1999)Composer in Interview: Helmut…Musik als existentielle Erfahrung : Schriften 1966-1995 (1996)Musik als existentielle Erfah…Helmut Lachenmann's Concept of Rejection (1995)Helmut Lachenmann's Concept o…States, Events, Transformations (1993)States, Events, Transformatio…Language, Music, and Mind (1993)Language, Music, and MindSUPERVENIENCE AS A PHILOSOPHICAL CONCEPT* (1990)SUPERVENIENCE AS A PHILOSOPHI…Music as Drama (1988)Music as Drama"To Worship That Celestial Sound" Motives for Analysis (1982)"To Worship That Celestial So…How We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…Must We Mean What We Say?: A Book of Essays (1979)Must We Mean What We Say?: A …EXTENTS AND LIMITS OF SERIAL TECHNIQUES (1960)EXTENTS AND LIMITS OF SERIAL …New work for a theory of universals (1983)How Superduper Does a Physicalist Supervenience Need to Be? (1999)Supervenience-based Formulations of Physicalism* (2005)Metaphysical Emergence: Weak and Strong (2015)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)On the pleasures of the mind. (1999)Well-being : the foundations of hedonic psychology (1999)The Question of Voice and the Limits of Pragmatism: Emerson, Dewey, and Cavell (2004)Listening in aWaythat Recognizes/Realizes the World of ‘the Other’ (2009)Stanley Cavell and the Education of Grownups (2012)Listeners’ Bodies in Music Analysis (2015)Responding to the modernist fragment (2015)Enacting Musical Time (2019)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Digital Technology and Cultural Practice (2019)The Political Economy of Streaming (2019)Witnessing Race in the New Digital Cinema (2019)Prosodic Processes in Language and Music (2006)Consciousness Without Attention (2015)The Attending Mind (2020)Russian Formalism (1995)Literature and Knowledge (2009)Ethnographies of Waiting (2020)Unveiling the Promise of Community Cultural Wealth to Sustaining Latina/o Students’ College-Going Information Networks (2009)Building and leading a learning culture among teachers (2016)Is nuclear energy a better alternative for mitigating CO2 emissions in BRICS countries? An empirical analysis (2020)
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References

  • 1990SUPERVENIENCE AS A PHILOSOPHICAL CONCEPT*300 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 1993Language, Music, and Mind234 cited
  • 1979Must We Mean What We Say?: A Book of Essays129 cited
  • 1988Music as Drama127 cited
  • 2002Positive or Negative.116 cited
  • 2010Musical modernism at the turn of the twenty-first century74 cited
  • 1999Composer in Interview: Helmut Lachenmann53 cited
  • 1999Hearing things: voice and method in the writing of Stanley Cavell48 cited
  • 2002The Availability of Wittgenstein's Later Philosophy47 cited
  • 1996Musik als existentielle Erfahrung : Schriften 1966-199545 cited
  • 1960EXTENTS AND LIMITS OF SERIAL TECHNIQUES29 cited
  • 1993States, Events, Transformations29 cited
  • 1982"To Worship That Celestial Sound" Motives for Analysis20 cited
  • 1995Helmut Lachenmann's Concept of Rejection18 cited
  • 2004The Pleasure of Modernist Music17 cited

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