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“Feeling like a woman, looking like a man, sounding like a no-no”: Grace Jones and the performance of Strangé in the Post-Soul Moment
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References

  • 2004Undoing Gender5,550 cited
  • 1999Disidentifications: Queers Of Color And The Performance Of Politics4,074 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2010Subculture1,268 cited
  • 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910624 cited
  • 1995English is broken here : notes on cultural fusion in the Americas473 cited
  • 2006Bodies in Dissent405 cited
  • 1995Noises in the Blood349 cited
  • 1999Last Night a DJ Saved My Life: The History of the Disc Jockey342 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 2005Venus in the Dark: Blackness and Beauty in Popular Culture204 cited
  • 1989Rape and the Inner Lives of Black Women in the Middle West: Preliminary Thoughts on the Culture of Dissemblance159 cited
  • 2004The black dancing body: a geography from coon to cool150 cited
  • 1992Daughters of the dust : the making of an African American woman's film93 cited
  • 2004Black women, identity, and cultural theory: (un)becoming the subject

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