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Anna May Wong: a border-crossing ‘minor’ star mediating performance
10 references·3 citing·32 second hop
Anna May Wong: a border-crossing ‘minor’ star mediating performance (2008)Anna May Wong: a border-crossing ‘minor’ …At the New York Herald Tribune (1947–48) (2019)At the New York Herald Tribun…THE PRACTICE OF EVERYDAY LIFE (2018)THE PRACTICE OF EVERYDAY LIFEYellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s (2006)Yellowface: Creating the Chin…Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the Late 30s (2006)Patterns of Resistance?: Anna…A Feeling of Belonging: Asian American Women’s Public Culture, 1930-1960 (2006)A Feeling of Belonging: Asian…The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era (2005)The Art of Screen Passing: An…East Main Street: Asian American Popular Culture (2005)East Main Street: Asian Ameri…Countervisions: Asian American film criticism (2001)Countervisions: Asian America…“I Hear You with My Eyes”; or, The Invisible Master (1996)“I Hear You with My Eyes”; or…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…Anna May Wong and the Color Image (2021)Anna May Wong and the Color I…The Invention of Martial Arts (2020)The Invention of Martial ArtsThe Chinese Diaspora on American Screens: Race, Sex, and Cinema (2012)The Chinese Diaspora on Ameri…The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)The Practice Turn in Contemporary Theory (2005)3.2. MARXISM AND LITERATURE (2006)The Sublime Object of Ideology (1989)The Logic of Practice (1990)The sublime object of ideology (1990)Performing race and gender: the exoticization of Josephine Baker and Anna May Wong (2014)The body and society: men, women, and sexual renunciation in early Christianity (1989)Exploring the Habitus of Listening (2010)Haptic Aurality: Resonance, Listening and Michael Haneke (2012)Gothic Voices (2023)Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)The Resurrection of Brandon Lee (2004)Representations: Doing Asian American Rhetoric (2008)La fabrique cinématographique de l'altérité. Les personnages de « Chinoises » dans le cinéma occidental (2011)“Speaking German Like Nobody’s Business”: Anna May Wong, Walter Benjamin, and the Possibilities of Asian American Cosmopolitanism (2012)“Susie Bubble is a Sign of The Times” (2012)Language and Agency (2001)Completing the Practice Turn in Strategy Research (2006)Sampling Knowledge: The Hermeneutics of Snowball Sampling in Qualitative Research (2008)Hiroshima, Mon Amour:From iconography to rhetoric (1982)TV VIEWING AS GOOD CITIZENSHIP? POLITICAL RATIONALITY, ENLIGHTENED DEMOCRACY AND PBS (1999)Duchamp's Labyrinth: First Papers of Surrealism, 1942 (2001)The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s (2011)Global exoticism and modernity (2013)Yella gal: Eartha Kitt’s racial modulations (2018)THE GHETTO FABULOUS AESTHETIC IN CONTEMPORARY BLACK CULTURE (2006)Desiring biracial whites: cultural consumption of white mixed-race celebrities in South Korean popular media (2015)Doing feminism in the network: Networked laughter and the ‘Binders Full of Women’ meme (2015)
this work references cited by second hop

References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 2018THE PRACTICE OF EVERYDAY LIFE4,811 cited
  • 2001Countervisions: Asian American film criticism161 cited
  • 2005East Main Street: Asian American Popular Culture130 cited
  • 1996“I Hear You with My Eyes”; or, The Invisible Master115 cited
  • 2019At the New York Herald Tribune (1947–48)89 cited
  • 2005The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era56 cited
  • 2006A Feeling of Belonging: Asian American Women’s Public Culture, 1930-196049 cited
  • 2006Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s33 cited
  • 2006Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the Late 30s24 cited

Cited by

  • 2020The Invention of Martial Arts24 cited
  • 2021Anna May Wong and the Color Image11 cited
  • 2012The Chinese Diaspora on American Screens: Race, Sex, and Cinema8 cited

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