References

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Cited by

• 1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
• 2013Learning to make racism funny in the ‘color-blind’ era: Stand-up comedy students, performance strategies, and the (re)production of racist jokes in public163 cited
• 1992Love and Theft: The Racial Unconscious of Blackface Minstrelsy160 cited
• 1998The Cambridge History of American Theatre117 cited
• 2017Racism without Hatred? Racist Humor and the Myth of “Colorblindness”112 cited
• 2000Interpreting the Civil Rights Movement: Place, Memory, and Conflict98 cited
• 2011African American Stereotypes in Reality Television76 cited
• 1992College basketball on television: a study of racism in the media70 cited
• 2014Photographing Objects as Queer Archival Practice68 cited
• 1999The Cambridge History of American Theatre61 cited
• 2003Visuality and Black Masculinity in Ralph Ellison's Invisible Man and Romare Bearden's Photomontages42 cited
• 1998American theatre in context, from the beginnings to 187038 cited
• 2012Peddling sport: liberal multiculturalism and the racial triangulation of blackness, Chineseness and Native American-ness in professional basketball27 cited
• 2013Deconstructing Hegemonic Masculinity: Understanding Representations of Black and White Manhood in Print Advertising