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Artwork visualization using a solid-state lighting engine with controlled photochemical safety
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Artwork visualization using a solid-state lighting engine with controlled photochemical safety (2014)Artwork visualization using a solid-state…Lighting the world's treasures: Approaches to safer museum lighting (2010)Lighting the world's treasure…Museum lighting: its past and future development (2007)Museum lighting: its past and…Acceptable Light Damage - A Preliminary Investigation (2007)Acceptable Light Damage - A P…A Proposal to Reduce the Exposure to Light of Museum Objects Without Reducing Illuminance or the Levelofvisual Satisfaction of Museum Visitors (2000)A Proposal to Reduce the Expo…Damage to museum objects due to light exposure (1996)Damage to museum objects due …Preferred lighting conditions for the display of oil and watercolour paintings (1982)Preferred lighting conditions…A New Look at Colour Rendering, Level of Illumination, and Protection from Ultraviolet Radiation in Museum Lighting (1961)A New Look at Colour Renderin…Sustainable Illumination for Baroque Paintings with Historical Context Considerations (2020)Sustainable Illumination for …Spectral Optimization to Minimize Light Absorbed by Artwork (2018)Spectral Optimization to Mini…Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light (2015)Synchrotron-based X-ray spect…The museum environment (1978)Examination, conservation and restoration of painted art (2007)Lighting and visual experience of artworks: Results of a study campaign at the National Museum of San Matteo in Pisa, Italy (2020)Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Chemical Mapping by Macroscopic X‐ray Powder Diffraction (MA‐XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk (2018)Damages Induced by Synchrotron Radiation-Based X-ray Microanalysis in Chrome Yellow Paints and Related Cr-Compounds: Assessment, Quantification, and Mitigation Strategies (2020)X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling (2024)Accelerated Aging, Photochemical and Thermal Aspects (1996)Large-scale assessment of light-induced color change in air and anoxic environments (2012)Wavelength-dependent fading of artists' pigments (1994)Buying Beauty: On Prices and Returns in the Art Market (2012)Virtual Restoration and Visualization Changes through Light: A Review (2020)Optimal LED spectrum for lighting Chinese paper cultural relics in museums (2021)Museums and cultural sustainability: stakeholders, forces, and cultural policies (2014)Factors Influencing Museum Sustainability and Indicators for Museum Sustainability Measurement (2016)The Oxford Handbook of Light in Archaeology (2017)The impact of illuminance and colour temperature on viewing fine art paintings under LED lighting (2014)Interpreting Art with Light: Museum Lighting between Objectivity and Hyperrealism (2019)The Deterioration and Conservation of Dyed Historic Textiles (1986)A Comparison of Clear versus Yellow Ultraviolet Filters in Reducing Fading of Selected Dyes (1988)Spectral damage model for lighted museum paintings: Oil, acrylic and gouache (2016)OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS (2008)The development of a significance-based lighting framework at the National Museum of Australia (2011)Can LEDs help with art conservation? – Impact of different light spectra on paint pigment degradation (2016)Psychological Processes Influencing Lighting Quality (2001)The Early History of Preventive Conservation in Great Britain and the United States (1850–1950) (2014)Study on Conservation Aspects Using LED Technology for Museum Lighting (2015)From Darkness to Light (2019)
this work references cited by second hop

References

  • 1996Damage to museum objects due to light exposure76 cited
  • 1982Preferred lighting conditions for the display of oil and watercolour paintings46 cited
  • 2007Museum lighting: its past and future development45 cited
  • 2010Lighting the world's treasures: Approaches to safer museum lighting31 cited
  • 1961A New Look at Colour Rendering, Level of Illumination, and Protection from Ultraviolet Radiation in Museum Lighting26 cited
  • 2000A Proposal to Reduce the Exposure to Light of Museum Objects Without Reducing Illuminance or the Levelofvisual Satisfaction of Museum Visitors22 cited
  • 2007Acceptable Light Damage - A Preliminary Investigation19 cited

Cited by

  • 2018Spectral Optimization to Minimize Light Absorbed by Artwork45 cited
  • 2015Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light42 cited
  • 2020Sustainable Illumination for Baroque Paintings with Historical Context Considerations5 cited

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