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In this article the authors discuss the possibility of presenting the unique qualities of “the body” in contemporary dance practice through tailored digital choreographic objects. They reflect on some implications of abstraction in cognitive science and on “the body” as a site of exploration and knowledge in the realm of social, moral and relational being.
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Stored only when both papers are in the corpus — 28 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.