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Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk songThe Stream Flows
2 references·1 citing·11 second hop
Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk songThe Stream Flows (2007)Bright Sheng's music: An expression of cr…Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited (2001)Chou Wen-Chung's Cross-Cultur…The anthropology of experience (1986)The anthropology of experienceInteractions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999) (2020)Interactions of Folk Melody a…THE SIGNIFICANCE OF THE STUDY OF ACCULTURATION FOR ANTHROPOLOGY (1937)ASIAN CONCEPTS AND TWENTIETH-CENTURY WESTERN COMPOSERS (1971)Performing Studies of Music in Asian Cultures: Some Personal Reflections on What We Have Been and Are Up To (2014)Transcoding the I Ching as Composition Techniques in Chou Wen Chung, Zhao Xiaosheng and Chung Yiu Kwong (2019)Chinese Émigré Composers and Divergent Modernisms (2024)What Is Third‐Wave Feminism? A New Directions Essay (2008)On Repeat (2013)Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (2015)The narrative constitution of identity: A relational and network approach (1994)Narrative configuration in qualitative analysis (1995)The Discipline and Practice of Qualitative Research (2005)
this work references cited by second hop

References

  • 1986The anthropology of experience1,845 cited
  • 2001Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited15 cited

Cited by

  • 2020Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)6 cited

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