SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Surface morphology and composition of some “lustro” decorated fragments of ancient ceramics from Deruta (Central Italy)
6 references·2 citing·33 second hop
Surface morphology and composition of some “lustro” decorated fragments of ancient ceramics from Deruta (Central Italy) (2000)Surface morphology and composition of som…A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)A spectrophotometric and fluo…THE BEGINNINGS OF TIN‐OPACIFICATION OF POTTERY GLAZES (1997)THE BEGINNINGS OF TIN‐OPACIFI…Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Raman microscopy: The identif…Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy (1997)Characterization of Brown-Bla…Old master paintings: a study of the varnish problem (1989)Old master paintings: a study…Fluorescence of Paint and Varnish Layers (Part I) (1982)Fluorescence of Paint and Var…Pre-historic production of ceramics in the Amazon: Provenience, raw materials, and firing temperatures (2015)Pre-historic production of ce…Optical properties of lustred ceramics: complete modelling of the actual structure (2010)Optical properties of lustred…ANTHROSOLS AND HUMAN CARRYING CAPACITY IN AMAZONIA∗ (1980)Pottery Technology: Principles and Reconstruction (1981)The 'Terra Preta' phenomenon: a model for sustainable agriculture in the humid tropics (2001)A teoria contemporânea do restauro e as cerâmicas arqueológicas da Amazônia (2021)Paint and Coloring Materials from the Brazilian Amazon Forest: Beyond Urucum and Jenipapo (2023)Abū'l-Qāsim's Treatise on Ceramics (1973)Archaeological Theory and Scientific Practice (2001)The pilgrim art: cultures of porcelain in world history (2010)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Lustre Pottery: Technique, Tradition and Innovation in Islam and the Western World (1985)Luster Pottery from the Thirteenth Century to the Sixteenth Century: A Nanostructured Thin Metallic Film (2001)How the masters in Umbria, Italy, generated and used nanoparticles in art fabrication during the Renaissance period (2003)Nanoscale engineering of gold particles in 18th century Böttger lusters and glazes (2022)The Influence of Varnishes on the Appearance of Paintings (1987)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects (1995)A Mass Spectrometry and Electron Paramagnetic Resonance Study of Photochemical and Thermal Aging of Triterpenoid Varnishes (2001)Photo-oxidative kinetics of solvent and oil-based terpenoid varnishes (2015)Ceramics for the archaeologist (1956)Ceramics for the Archaeologist (1957)Pottery Analysis: A Sourcebook. (1990)Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy (1999)The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy (2001)Handheld XRF for Art and Archaeology (2013)Raman microscopy: sensitive probe of pigments on manuscripts, paintings and other artefacts (1999)A multianalytical study of archaeological faience from the Vesuvian area as a valid tool to investigate provenance and technological features (2011)Micro-Raman spectral identification of manganese oxides black pigments in an archaeological context in Northern Chile (2015)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation (2012)A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)
this work references cited by second hop

References

  • 1997THE BEGINNINGS OF TIN‐OPACIFICATION OF POTTERY GLAZES165 cited
  • 1998A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings135 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part I)78 cited
  • 1989Old master paintings: a study of the varnish problem77 cited
  • 1997Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy75 cited
  • 1997Characterization of Brown-Black and Blue Pigments in Glazed Pottery Fragments from Castel Fiorentino (Foggia, Italy) by Raman Microscopy, X-Ray Powder Diffractometry and X-Ray Photoelectron Spectroscopy52 cited

Cited by

  • 2015Pre-historic production of ceramics in the Amazon: Provenience, raw materials, and firing temperatures22 cited
  • 2010Optical properties of lustred ceramics: complete modelling of the actual structure11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work