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Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s
16 references·5 citing·28 second hop
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References

  • 2005Irresistible Empire566 cited
  • 2017Irresistible Empire: America's Advance through Twentieth-Century Europe284 cited
  • 1999Making a Nation, Breaking a Nation: Literature and Cultural Politics in Yugoslavia237 cited
  • 2000Jazz, Rock, and RebelsCold War Politics and American Culture in a Divided Germany168 cited
  • 2001Transactions, Transgressions, Transformations: American Culture in Western Europe and Japan125 cited
  • 2017Ben Shahn: New Deal Artist in a Cold War Climate, 1947-1954114 cited
  • 1988With Stalin against Tito105 cited
  • 1995Rocking the State: Rock Music and Politics in Eastern Europe and Russia104 cited
  • 2002Balkan Babel: The Disintegration Of Yugoslavia From The Death Of Tito To The Fall Of Milosevic, Fourth Edition94 cited
  • 1978The Yugoslav Experiment, 1948-197484 cited
  • 1999Music, Politics, and War: Views from Croatia73 cited
  • 1994Rocking the state: rock music and politics in Eastern Europe and Russia62 cited
  • 1987Open Borders, Nonalignment, and the Political Evolution of Yugoslavia45 cited
  • 2013Newly Composed Folk Music of Yugoslavia43 cited
  • 1991With Stalin against Tito: Cominformist Splits in Yugoslav Communism.41 cited

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  • 1998Keeping Tito afloat: the United States, Yugoslavia, and the Cold War39 cited
  • Cited by

    • 2010“Spit and Sing, My Yugoslavia”: New Partisans, social critique and Bosnian poetics of the patriotic14 cited
    • 2018Yugonostalgia as a Kind of Love: Politics of Emotional Reconciliations through Yugoslav Popular Music11 cited
    • 2018Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music9 cited
    • 2012The making of a Yugoslav popular music industry8 cited
    • 2015Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria6 cited