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In spite of their aberrant orientation, ancient Maya monumental hieroglyphic inscriptions that were carved in mirror-image have been relatively understudied by scholars with respect to the significance of their shared form. Based on examination of eleven such monuments, I propose that mirror-image inscriptions constituted visual metaphors related to the ritual importance of artifactual mirrors as symbols of political and religious power. Furthermore, the metaphorical significance of these texts influenced the viewer’s interpretation of and interaction with the monument. Using evidence from archaeology, epigraphy, iconography, linguistics, and cognitive science, I argue that the mirror-image form, of these monumental inscriptions, extended ritual participation beyond the monument’s protagonist to the ancient Maya viewer through contact with the supernatural. With this work, I hope to begin to fill a significant gap in ancient Maya studies and offer an alternate perspective on the relationship between monumental form and function.
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