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Managing pirate culture: Corporate responses to peer‐to‐peer networking
6 references·2 citing·26 second hop
Managing pirate culture: Corporate responses to peer‐to‐peer networking (2003)Managing pirate culture: Corporate respon…Ruling the Waves: Cycles of Discovery Chaos and Wealth from the Compass to the Internet (2009)Ruling the Waves: Cycles of D…Ruling the waves: cycles of discovery, chaos, and wealth from the compass to the Internet (2002)Ruling the waves: cycles of d…New Musical Entrepreneurs (2000)New Musical Entrepreneurs`This is a sampling sport':1 digital sampling, rap music and the law in cultural production (1995)`This is a sampling sport':1 …Popular Music and Communication. (1988)Popular Music and Communicati…Copyright and the music business (1988)Copyright and the music busin…Abwanderung von Märkten (2011)Abwanderung von MärktenProduct Placement and Digital Piracy: How Young Chinese Viewers React to the Unconventional Method of Corporate Cultural Globalization (2010)Product Placement and Digital…A Status-Based Model of Market Competition (1993)Subcultures of Consumption: An Ethnography of the New Bikers (1995)The Consumer Society: Myths and Structures (1998)The Sociology of Rock (1979)The Production of Culture in the Music Industry: The ASCAP-BMI Controversy. (1986)The Effects of Piracy Upon the Music Industry: a Case Study of Bootlegging (2004)‘Home taping is killing music’: the recording industries' 1980s anti-home taping campaigns and struggles over production, labor and creativity (2015)'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)The Practice of Everyday Life (1988)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Copyright, the Work and Phonographic Orality in Music (2006)Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice (2006)Techno, Frankenstein and copyright (2007)Network externalities, competition, and compatibility (1985)Watching Dallas: Soap Opera and the Melodramatic Imagination (1985)Global culture: Nationalism, globalization and modernity (1991)Constructing the International Foundations of E-Commerce—The EU-U.S. Safe Harbor Arrangement (2003)Has the importance of intangibles really grown? And if so, why? (2008)Misinformation, Disinformation, and Online Propaganda (2020)Adolescents' uses of media for self-socialization (1995)Understanding sponsorship effects (2001)The role of music in adolescents' mood regulation (2006)Regulating Information Flows: States, Private Actors and E-Commerce (2005)Regulating Information Flows: States, Private Actors and E-Commerce (2006)Bureaucratic reform and e-government in the United States: An institutional perspective (2008)The computerization of practice in peripheral music communities (2003)
this work references cited by second hop

References

  • 1988Popular Music and Communication.291 cited
  • 1988Copyright and the music business79 cited
  • 2002Ruling the waves: cycles of discovery, chaos, and wealth from the compass to the Internet65 cited
  • 1995`This is a sampling sport':1 digital sampling, rap music and the law in cultural production59 cited
  • 2009Ruling the Waves: Cycles of Discovery Chaos and Wealth from the Compass to the Internet22 cited
  • 2000New Musical Entrepreneurs9 cited

Cited by

  • 2011Abwanderung von Märkten10 cited
  • 2010Product Placement and Digital Piracy: How Young Chinese Viewers React to the Unconventional Method of Corporate Cultural Globalization5 cited

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