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The “spirit of Caesar” and his majesty's servant: The self‐fashioning of women artists in early modern Europe
15 references·0 citing·32 second hop
The “spirit of Caesar” and his majesty's servant: The self‐fashioning of women artists in early modern Europe (2001)The “spirit of Caesar” and his majesty's …Artemisia Gentileschi 1593-1652 (2020)Artemisia Gentileschi 1593-16…Renaissance Self-Fashioning (2005)Renaissance Self-FashioningLives of the Painters, Sculptors and Architects (1998)Lives of the Painters, Sculpt…Woman's Capacity to Create: The Unusual Case of Sofonisba Anguissola (1994)Woman's Capacity to Create: T…:Sofonisba Anguissola: The First Great Woman Artist of the Renaissance (1993):Sofonisba Anguissola: The Fi…:Sofonisba Anguissola e le sue sorelle (1993):Sofonisba Anguissola e le su…Sofonisba Anguissola: the first great woman artist of the Renaissance (1992)Sofonisba Anguissola: the fir…Painting, Power, and Patronage: The Rise of the Professional Artist in the Italian Renaissance (1992)Painting, Power, and Patronag…Renaissance Feminism (1990)Renaissance FeminismArtemisia Gentileschi: the image of the female hero in Italian Baroque art (1989)Artemisia Gentileschi: the im…Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe (1988)Rewriting the Renaissance: Th…:Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe (1987):Rewriting the Renaissance: T…The Renaissance Notion of Woman (1980)The Renaissance Notion of Wom…Artemisia Gentileschi's Self-Portrait as the Allegory of Painting (1980)Artemisia Gentileschi's Self-…The Presentation of Self in Everyday Life. (1956)The Presentation of Self in E…Academies of Art, Past and Present (1941)Studies in Seicento Art and Theory (1951)Idea: A Concept in Art Theory (1971)Artemisia Gentileschi (2021)Challenging Women's Agency and Activism in Early Modernity (2021)Challenging Women's Agency and Activism in Early Modernity (2021)PSYCHOLOGICAL CONDITIONS OF PERSONAL ENGAGEMENT AND DISENGAGEMENT AT WORK. (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)Users of the world, unite! The challenges and opportunities of Social Media (2009)Being and Nothingness (2022)Yorkist and Early Tudor England (1998)Classical liberty, Renaissance translation and the English civil war (2002)From the state of princes to the person of the state (2002)Representation, Presentation, Presence: Tracing the Homo Pictor (2012)Economics for a creative world (2014)Religion (2014)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)Engendering Perception: Gender Ideologies and Sensory Hierarchies in Western History (1997)The Erotic Vaṭan [Homeland] as Beloved and Mother: To Love, To Possess, and To Protect (1997)Scenes from the life of Silvia Gailarti Manni, a seventeenth-centuryvirtuosa (1996)Where Ethics and Aesthetics Meet: Titian's Rape of Europa (2003)Adaptation, Translation, Critique (2007)The Power of Formalism: The New Historicism (1989)On the Ontological Status of the State (1996)States and ontological security: A historical rethinking (2016)“Let us have our libertie againe”: Amelia Lanier's 17th‐century feminist voice (1992)Shakespeare and Republicanism (2005)Auguste Comte and Positivism (2019)Sexual Dissidence (1991)The Cambridge History of Medieval English Literature (1999)Moral philosophy (1988)Crime, Gender and Social Order in Early Modern England (2003)
this work references cited by second hop

References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 1980The Renaissance Notion of Woman628 cited
  • 2005Renaissance Self-Fashioning516 cited
  • 1987:Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe364 cited
  • 1990Renaissance Feminism302 cited
  • 1998Lives of the Painters, Sculptors and Architects160 cited
  • 1988Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe143 cited
  • 1992Painting, Power, and Patronage: The Rise of the Professional Artist in the Italian Renaissance63 cited
  • 1989Artemisia Gentileschi: the image of the female hero in Italian Baroque art48 cited
  • 1980Artemisia Gentileschi's Self-Portrait as the Allegory of Painting25 cited
  • 1994Woman's Capacity to Create: The Unusual Case of Sofonisba Anguissola18 cited
  • 1993:Sofonisba Anguissola: The First Great Woman Artist of the Renaissance14 cited
  • 1992Sofonisba Anguissola: the first great woman artist of the Renaissance10 cited
  • 1993:Sofonisba Anguissola e le sue sorelle7 cited
  • 2020Artemisia Gentileschi 1593-16523 cited

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