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Bridges are taken for granted in the modern world as utilitarian structures and if noticed at all are remarked upon mainly for the elegance of their engineering structures, but a mere couple of centuries ago many in Europe still had chapels in which prayers for a safe crossing could be said. In the Dong areas of south-west China, which remained remote until around two decades ago, the bridges are the principal monuments, elaborately roofed and decorated with shrines to various gods, built with pride and at great local cost. Our research began with the question of why so much trouble was taken over these bridges, and led on to how they were read by their users and builders, and what they were considered to mean. The consequent excursions into anthropological theory and traditional Chinese ideologies, which can only be briefly summarised in the following paper, revealed a rich and complex network of causes, fascinating in their multiplicity and interaction. The enquiry was pushed far beyond the bounds of traditional art history, engaging fundamental questions about the significance of architecture as a communicative and ritual medium in traditional oral-based cultures. At a more general level it also prompted a thought-provoking exploration of the similarities and differences between bridges metaphorical and bridges physical.
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