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Audio-description reloaded: An analysis of visual scenes in2012andHero
16 references·0 citing·27 second hop
Audio-description reloaded: An analysis of visual scenes in2012andHero (2014)Audio-description reloaded: An analysis o…Narrative Comprehension and Film (2013)Narrative Comprehension and F…A narratological approach to content selection in audio description: towards a strategy for the description of narratological time (2012)A narratological approach to …Audio narration: re-narrativising film (2010)Audio narration: re-narrativi…Audiodescription Research: State of the Art and Beyond (2008)Audiodescription Research: St…Towards a European guideline for audio description (2007)Towards a European guideline …Media for All: Subtitling for the Deaf, Audio Description, and Sign Language (2007)Media for All: Subtitling for…A corpus-based analysis of audio description (2007)A corpus-based analysis of au…The Cinema of Attractions Reloaded (2006)The Cinema of Attractions Rel…The Cinema of Attractions Reloaded (2006)The Cinema of Attractions Rel…The Language System of Audio Description: An Investigation as a Discursive Process (2004)The Language System of Audio …The Classical Hollywood Cinema (2003)The Classical Hollywood CinemaSpectacular narratives: Hollywood in the age of the blockbuster (2001)Spectacular narratives: Holly…Spectacular Narratives (2000)Spectacular NarrativesNarrative comprehension and film (1993)Narrative comprehension and f…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985 (1986)'The Classical Hollywood Cine…Story logic: problems and possibilities of narrative (2002)Narrative across media : the languages of storytelling (2004)Corpus linguistics : investigating language structure and use (2006)The emotional experience of films: does Audio Description make a difference? (2015)The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)Fiction Film and the Varieties of Empathic Engagement (2010)Géographie et cinéma : modes d'emploi (2014)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Screen Space Reconfigured (2020)The knowledge management puzzle: Human and social factors in knowledge management (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Visual Narrative Structure (2012)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Mixing genres and matching people: a study in innovation and team composition in Hollywood (2007)The Attentional Theory of Cinematic Continuity (2012)Learning across the life cycle: Experimentation and performance among the hollywood studio heads (2001)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Implicatures in film: Construal and functions in Bridget Jones romantic comedies (2011)Creating Coherence in Audio Description (2012)The New Film History as Media Archaeology (2005)Aesthetics as Philosophy of Perception (2016)The battle for the blockbuster: discourses of spectacle and excess (2008)Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office (2009)The Apocalyptic Sublime: Anthropocene Representation and Environmental Agency in Hollywood Action‐Adventure Cli‐Fi Films (2018)Mediated Martyrs of the Arab Spring: New Media, Civil Religion, and Narrative in Tunisia and Egypt (2013)'The DVD of Attractions'? (2007)What Is Spectacle? (2014)
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References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2003The Classical Hollywood Cinema728 cited
  • 1993Narrative comprehension and film610 cited
  • 2006The Cinema of Attractions Reloaded454 cited
  • 2013Narrative Comprehension and Film444 cited
  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 2000Spectacular Narratives132 cited
  • 2001Spectacular narratives: Hollywood in the age of the blockbuster126 cited
  • 2007Media for All: Subtitling for the Deaf, Audio Description, and Sign Language101 cited
  • 2007A corpus-based analysis of audio description91 cited
  • 2010Audio narration: re-narrativising film80 cited
  • 2008Audiodescription Research: State of the Art and Beyond79 cited
  • 2007Towards a European guideline for audio description79 cited
  • 2006The Cinema of Attractions Reloaded74 cited
  • 2004The Language System of Audio Description: An Investigation as a Discursive Process63 cited
  • 2012

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A narratological approach to content selection in audio description: towards a strategy for the description of narratological time
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