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Persona and Voice in the Kinks' Songs of the Late 1960s
12 references·1 citing·42 second hop
Persona and Voice in the Kinks' Songs of the Late 1960s (2003)Persona and Voice in the Kinks' Songs of …Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry (2002)Ring Shout! Literary Studies,…Indian Resonances in the British Invasion, 1965-1968 (1997)Indian Resonances in the Brit…Authorship, gender and the construction of meaning in the Eurythmics' hit recordings (1995)Authorship, gender and the co…Opera; or, the Envoicing of Women (1993)Opera; or, the Envoicing of W…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Poet's love or composer's love? (1992)Poet's love or composer's lov…Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry (1991)Ring Shout! Literary Studies,…Opera talk: A philosophical ‘phantasie’ (1991)Opera talk: A philosophical ‘…The production of success: an anti-musicology of the pop song (1983)The production of success: an…Analysing popular music: theory, method and practice (1982)Analysing popular music: theo…The Composer's Voice (1974)The Composer's VoiceAddressing the Persona (2012)Addressing the PersonaOn Popular Music (1941)Systeme De La Mode (1967)Cycles in Symbol Production: The Case of Popular Music (1975)The cultural economy: geography and the creative field (1999)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Pragmatics of Taste (2007)The Complete Beatles Chronicle (1992)Queering the pitch: The new gay and lesbian musicology (1994)Queering the pitch: the new gay and lesbian musicology (1995)Taboo: Time and Belief in Exotica (2008)Raga Rock: Popular Music and the Turn to the East in the 1960s (2017)How the Grateful Dead Learned to Jam (2023)Blues, Ideology, and Afro-American Literature (1984)Modernism and the Harlem Renaissance (1987)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Theorizing the Body in African-American Music (1994)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)New Orleans Music as a Circulatory System (2011)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)The Principles of Art (1939)Operatic ambiguities and the power of music (1992)Speech, Song, and The Transparency of Medium: A Note on Operatic Metaphysics (1994)Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito) (1998)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)Kaleidoscope Notes: Writing Women's Music and Organizational Culture (1998)Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions (2017)Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance (2018)Improvisation and Social Aesthetics (2017)Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music (2021)
this work references cited by second hop

References

  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1974The Composer's Voice387 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1993Opera; or, the Envoicing of Women125 cited
  • 1983The production of success: an anti-musicology of the pop song120 cited
  • 1991Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry99 cited
  • 2002Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry90 cited
  • 1997Indian Resonances in the British Invasion, 1965-196836 cited
  • 1991Opera talk: A philosophical ‘phantasie’18 cited
  • 1992Poet's love or composer's love?18 cited
  • 1995Authorship, gender and the construction of meaning in the Eurythmics' hit recordings17 cited

Cited by

  • 2012Addressing the Persona3 cited

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